You Can’t Bring Your Dick Back, but You Can Kill Muslims

george_takai_militaryI know it’s hard for the precious reader to fathom the idea that the person writing this piece has ever had trouble with the ladiez, but it’s true! There are times when I go out to the bar, talk to a few broads and strike out! I realize that I look unfathomably good, but it indeed does happen. I’m trying to make myself look better through a tough workout and diet regimen, which will flatten my stomach and bring out my chest, so I strike out less. But indeed, there are nights – many of them – where I’m forced to retreat to my room and have sex by my lonesome, coming up with all manner of depraved scenario in my head (I don’t watch very much pornography), giving myself the satisfaction I was unable to obtain via some skank or lonely barfly.

Of course I’m not alone in this regard; most men aren’t Casanovas. And, since our teachers taught us in sex ed that strokin’ the ol’ pole is a natural function, there’s nuthin’ to be ashamed of. In fact, it’s damn near necessary sometimes. Hell, it’s SO necessary, that when you HAVEN’T jerked off in a while, your body will force you to extract some of your milky, white testicle ooze during a wet dream.

And just to gross out the reader even more, when I was drunkenly and sloppily banging Jo the ex-stripper, who does the “fill in puzzles”, and I kept pumping and pumping and pumping, blowing one wad after another and charging back up within seconds before pumping and pumping and pumping some more, she asked the fundamental question about the male sex drive; “aren’t you satisfied?” In fact, she privately messaged me and told me “you were like a machine last night!”

Machine-like fucking notwithstanding, she understood that the male sex organ, the DICK, if you will, CRAVES satisfaction; that rising feeling that keeps getting better and better and better until it peaks and a release occurs, causing semen to shoot out of the tiny slit in the head of the mushroom. When women say, “guys only think with their dicks”, they’re right. The NEED to satisfy the urge is so incredibly strong that guys will lose friendships, get into fights, risk their lives, accumulate great amounts of wealth and build entire civilizations because of it; men have gone to war, and empires have been destroyed because of it. I’m not going to go into the specific seduction techniques a woman would need to control a man via the power of the male sex drive, but let’s put it this way; if you’re a woman of even moderate attractiveness, you pretty much never need to work.

On top of that, many women have NO IDEA how therapeutic sex can be. People say music soothes the savage beast. Wrong; sex does. It releases endorphins, truly taking the “edge off” a shitty day and calming the nerves. In Falling Down, all Michael Douglas needed  was a good blowjob…

So, what happens when you can’t relieve the tension in your loins?

The most striking thing about Born on the 4th of July was how Tom Cruise’s character had lost his dick in Vietnam. The fact that he had to piss through a tube was bad enough, but the hooker he hired was utterly useless. What could she do for him? Rub his back? Lick his ear? Those are the things you do to tease a man before giving him the payoff, that is pleasuring his holy mushroom. Hell, my dick instantly hardens when someone rubs my nipple. All pleasure sensations eventually lead to the dick, and he didn’t have one.

In Sam Fuller’s World War II epic, The Big Red One, after an explosion, one of the characters feels around his crotch and excitedly exclaims, “I still have my dick!” And don’t think there is ANYTHING funny about that. You could lose both arms, both legs, both ears and both eyes, have your tongue sliced off and half your face blown off, but if there’s a woman who can stomach blowing or fucking you, somehow life JUST doesn’t seem so bad.

You’re probably thinking, “yeah, okay, okay, I get it. Guys need their dicks, but what’s you point?”

I’m getting there, asshole!

Trannies are this week’s topic du jour thanks to Donald Trump banning them from serving in the military. And, while I have no problem with this decision, all sorts of issues have been brought up with regards to this sub-sub-sub-sub sect of society, one that nobody even thought about until some mentally ill assholes decided to shove their daddy issues down everyone’s throats.

“Transgenderism” is completely made up bullshit. You’re either a transvestite, which means you enjoy wearing women’s clothing, or you’re a transsexual, which means you had your dick cut off and replaced with an artificial vagina.

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And don’t get me wrong; I love John Waters’ films, but I would NEVER considered Divine to be a woman, and neither does John Waters.

“But, Edwin”, you say, “I STILL don’t understand what this has to do with men needing their dicks.”

Well, dipshit, what happens when a man becomes a transsexual? He done can’t use his dick no mo’. The physical male pleasure center is GONE, baby, and it ain’t NEVER comin’ back. I’ve read that the phony vagina uses the same nerves from the original penis, and the penis head is crafted into a clitoris of sorts, but I highly doubt the same satisfaction is ever achieved again. I mean REAL women, ya know, the ones who were born with a vagina, a uterus, an XX chromosome and the estrogen that makes them so emotional, complain that they have a hard time getting off. So the idea that one could achieve with an artificial vagina the same satisfaction one once achieved with his dick is pretty hard to believe.

Of course, the man who decided to become a “woman” knew all of this, right? Well, you would think. One of the biggest arguments against the “transgender” trend is that there is a 40% rate of suicide associated with it. The most popular and naturally foolhardy explanation for the high rate of suicide among trannies is that they get bullied and harassed to the point of wanting to off themselves.

Think about this VERY carefully… VERY VERY VERY carefully…

WHAT FUCKING GROUP OF PEOPLE HASN’T BEEN HARASSED AND BULLIED AT SOME POINT DURING HUMAN HISTORY??!!

According to this article, the high suicide rate among “transgendered” people has nothing to do with discrimination, but their high level of mental illness and depression. I’ll take it one step further. I would LOVE to see an HONEST study which EXPLICITLY measures the suicide rates of post-op trannies; because, you know what we call pre-op trannies in non-retarded land? MEN WHO DRESS LIKE WOMEN!!!

And remember, once you make the “transition” to the dickless side, there is no going back; no more nights of looking at whatever gives you a boner and relieving tension in a few simple strokes; no more splattering your goo onto your bedroom wall or sex partner’s face; no more endorphin release… it’s ALL gone…

On the other hand, if the ridiculous idea of aiding and abetting a dinky percent of the population pans out though Supreme Court fiat, and trannies are eventually allowed to serve in the military, they could relieve all their pent up sexual frustration by blowing away Islamic terrorists, so I guess it’s a win win.

Rap Metal Against Racism

limp_bizkit_antifaProbably the stupidest, yet longest lasting argument in the punk rock underground is whether a person can listen to a band in spite what they stand for. I remember getting chastised for professing my love for… ready for this… BAD BRAINS. One would think that being a fan of the Bad Brains, the all black punk band from Washington, D.C., would be the ultimate virtue signal, right?

Nope. As it turns out, the Bad Brains weren’t too fond of homos, and they weren’t quiet about it either. They attacked fellow hardcore bands like the Dicks, the Big Boys and Hüsker Dü for being “bloodclot faggots.” See, the Bad Brains adopted Rastafarian culture, and one thing the Rastafarians, much like the Muslims, can’t stand are “bloodclot faggots.” Now, does that matter to me personally? Of course not. I just like their music; super tight and fast hardcore punk with metal riffs and the occasional reggae jam thrown in. Most of the time I can’t even understand what they’re saying.

But I was yelled at for being one of those guys who “only cares about the music.” I’M NOT KIDDING. I was accused of not being righteous enough, of ONLY caring that I liked the music. You can probably assume that, for some of these people, listening to Skrewdriver is completely out of the question. I’ve talked about Skrewdriver before, but as a refresher, they were a 70s punk band that dressed like skinheads and released a couple of singles and one album of normal, generic, but still pretty catchy punk rock before their singer, Ian Stuart, continued to use the name with a whole new set of backing musicians and reinvented them as a white power band. And musically speaking, they’re okay.

Actually this type of thought policing has become pretty common in punk rock and other underground music genres; among other things, it has lead to bands being thrown off festivals and out of gigs for allegedly having “nefarious” views. “What? Your band was released by THAT label?” “You were seen hanging out with THAT guy?” “I KNOW what those symbols REALLY stand for, bucko! We’re hip to your game!”

Hey look! Here’s Wattie from the Exploited hanging out with what looks like a Nazi skinhead.

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But look at this! Here he is hanging out with a black guy wearing a Motörhead t-shirt!

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Well, fuck me sideways! Which one is it? Is he a Nazi, or is he not a Nazi? I don’t know, and I won’t ever again be able to listen to the Exploited until this issue is resolved.

Sadly, with such a low bar set on the quality of the music, and such a high bar set on “social justice”, the question I have for Antifas, punk rockers and other underground music weirdos is, “how SHITTY will you let your music get provided that the band shares your views?” Case in point, this brand spanking new video from a band called Stray From the Path. Go ahead, watch the video. I dare ya!

Not sure how far you got into video, but it’s not good. First, there’s the music. After a few bars of pick slides going up and down the guitar neck set to a funky drum beat, the singer, who (perhaps ironically) has a similar haircut to Milo Yiannopoulos and sounds like the singer from Rage Against the Machine, shouts “you just got knocked the fuck out!”; then a generic, overly-compressed, nu-metal riff plays behind his whiny, white boy rapping. Some of the phrases I could make out in the song include “fist held high”, “punishment fits the crime”, “racist President”, “it’s 2017”, “eye for an eye”, “that’s what he said”, “fuck him, and fuck you too”…

…did he just say, “we used to never let these dickheads have any control”? Which “dickheads” is he talking about? Is he implying that, back in the day, his righteous peeps, who don’t look like their older than 25, never let the Nazi skinheads have control of a venue?

Back up the train, negro. Since I was 14 years old, back in the late 90s, I started going to shows at Harpos in Detroit, where I saw Gwar (where my ex Melissa fucked Dave “Oderus Urungus” Brockie!), the Misfits (with Michale Graves, the place was packed!), the Dead Kennedys (with Brandon Cruz, only about 20 people showed up!), Danzig, Clutch, Corrosion of Conformity, Manowar, Motörhead, Cradle of Filth, Rotting Christ, Usurper, Six Feet Under, Murphy’s Law, Cannibal Corpse and even heavy metal’s number one homo ROB MOTHERFUCKING HALFORD. The place was known as a hangout for neo-Nazis, and I’ve even met a few. Someone told me a story where a bunch of Nazi skinheads started fights and pushed people around at G.B.H. and Napalm Death shows since both of those bands are openly anti-racist. At the Danzig gig, I saw a bunch of them doing Hitler salutes. Now, is chunky Milo implying in the video that he and his peeps would have taken a stand against these guys, many of whom are built like linebackers and either fresh out of or on the way to prison? I’m sure that would have worked out REALLY well.

…other choice passages from the song include “preach hate”, “what makes you think that you’re the superior race?!” and of course the very original “NAZI PUNKS FUCK OFF!!!”.

But secondly, and barring the fact that the band members don’t look too different from what many AltRighters look like, the video tells the story in which a guy in a MAGA hat goes into his home, where he has a Hitler poster and a bunch of swastikas on his wall and a TV playing clips of Richard Spencer at one of his “identitarian” conferences, and plan some sort of terrorist attack, only to have his plans foiled by “brave” anti-racist “activists”, who break into his home, mug him at gun point, beat him down, tie him up and tattoo a swastika onto his forehead.

I mean, I can’t even. Andy Nowicki and I disagree over which is the more important problem with the video; that it sets up a ridiculous straw man, saying it’s okay to beat up anybody who you perceive to be a Nazi, which Richard Spencer is most certainly not (they could have at least gotten it right and put Andrew Anglin on the TV) or that the song sucks ding dongs. I say the latter. As of this writing, the “Goodnight Alt-Right” video has received 16,301 dislikes (one of which is mine, thank ya very much!) and 2,960 likes. It’s not totally clear if most viewers of the video don’t agree with the message, just think the song blows or both. If you want a video with a stupid, “anti-Nazi” message that’s set to a good song by a good band, click here! At least the Off! video resembles a grindhouse flick and has Brian Posehn, Dave Foley and David Yow playing Nazis in it.

But the question I have for the Antifas, punks and underground music weirdos is: are you okay with rap metal just as long as they don’t do it just for the nookie?

 

Boys Are Boys, Girls Are Choice and Girls Will Never Be Boys

If the left can politicize everything, than goddamn it, so can I! Below is a video of the Monks performing their classic “Boys Are Boys and Girls Are Choice.”

The song is from their 1966 LP, Blank Monk Time, one of the many fine additions to the more obscure cannon of 60s rock, right along side The Village Fugs Sing Ballads of Contemporary Protest, Point of Views and General Dissatisfaction and The Fugs by the Fugs, The Psychedelic Sounds of the 13th Floor Elevators and Easter Everywhere by the 13 Floor Elevators, The Seeds and A Web of Sound by the Seeds and Here Are the Sonics!!! and Boom by the Sonics.

You can read all of the Monks’ biographical trivia at their Wikipedia page. The important thing to know is that they dressed like monks when they performed, and they had a unique approach to the two and half minute song formula that focused on rhythmic hooks and utilized the fun “chinka-chinka” sound of Dave Day’s banjo, somehow making the songs so stupidly catchy that there are times when I could listen to Black Monk Time on repeat for days at a clip. Also their sound influenced the deliberately repetitive “vamping” of German “kraut rock” bands like Can and Neu!, and the Fall site the Monks as a huge influence and have covered several of their songs.

Now, obviously, there’s nothing political about the song “Boys Are Boys and Girls Are Choice”; it’s just a song about the joy of being a guy going after a girl (presumably when it was more fun and wouldn’t get you accused of rape). But in the current year, when “transgender” freaks are pushing an agenda that says a person can now choose his, her or its gender, rather being ASSIGNED a gender at birth by, ya know, having a set of cock ‘n’ balls or a wet, oozing vagina, the song BECOMES political.

On top of that, it celebrates heterosexuality; I mean, if you’re a straight guy, girls are choice, aren’t they? Provided they’re not fat or ugly, that is. And don’t get mad at me for saying that; being fat and ugly are problems that are relatively easy to fix.

Ironically the people at Light in the Attic records, who released phenomenal vinyl and CD reissues of Black Monk Time, probably think I’m a “transphobic” bigot for writing this piece. Or maybe they secretly believe in the song’s message and are trying to push the Monks’ evil and vile agenda.

Cruisin’ on the Dream Machine: an interview with Matthew Melton

dream_machine_the_illusionAs I sit in Starbucks, sucking the bandwidth off their free wifi signal while not actually buying anything (yeah, screw the man!), listening to the hypnotic, psychedelic fuzz rock of The Illusion, the debut LP from Dream Machine, I ask myself, “isn’t it strange how nearly half a century ago, the first Coven album, Witchcraft Destroys Minds & Reaps Souls, was deleted by the record label that put it out only a month after they released it because they were worried about the shock and outrage it would have generated among Christian conservatives in America?” My mind continues to wander, and similarly I think, “isn’t it crazy how the same year that the first Coven album came out, the MC5 got in a WHOLE heap of shit just for shouting ‘kick out the jams, motherfuckers!’ at the beginning of the title track on their first album?” Times sure have changed since Kick Out the Jams had to be hidden behind the counters at records shops; because of ONE word, kids had to show that they were at least 18 years old if they wanted to buy it!

And ain’t it a hoot how, when I was talking to someone who worked at a record shop in Grand Rapids, he told me that all the parents were freaked out that their kids were listening to these new fandangled bands with names like Black Sabbath and Alice Cooper, who apparently worshiped the devil, sacrificed animals onstage… or possibly even PEOPLE!!!

And I think, “what would piss off, shock and outrage the kids and adults of the current year?” Self mutilation? Done. Onstage defecation? Done. Throwing bloody tampons at the crowd? Done. Inverted crosses and pentagrams? Done. Putting a dildo up Jesus’ anus? Done, done and done again! Defecating on a drawing of the Prophet Muhammad while burning the Koran and wearing Indian feathers and a yarmulke? Okay, that one hasn’t been done yet. But Dream Machine might as well have done it considering the quagmire they put themselves in when guitarist/singer Matthew Melton, formerly of the power-pop band Warm Soda, and keyboardist/singer and Melton’s wife Doris openly bashed the United States’ liberal immigration policies, political correctness and feminism.

They soon found themselves getting booted from their record label, Castle Face records, and forced to fend for themselves in a sea of politically correct hipster hostility, which is one of the reasons they left their hometown of Austin, TX to Amsterdam. Their story became something of a cause celebre for people on the right or just anyone fed up with stifling political correctness, and it appears that many people have come to their defense; albeit privately for fear that they too will get a mob of anorexic, glasses and skinny jean wearing nerds or bearded fatsos on their asses.

The music on The Illusion is catchy as heck; the male Melton plays heavy, fuzzed to hell guitar riffs; the female Melton waxes speedy and melodic on what sounds like a Farfisa; the two alternate on lead vocals; the songs are all short; and the whole thing will send you on a 1968 time warp to some dimly lit, underground catacomb, where a bunch of stoned out hippies gyrate to flashing strobe lights; ya know, like the Alice Cooper scene in Diary of a Mad Housewife. Oh and Doris kinda resembles Michelle Phillips from the Mamas & the Papas.

I interviewed Matthew Melton via email, and he gave me well thought out, lucid answers that are remarkably bold considering how sensitive the dweebs in the music scene really are; fer Chrissakes, I got booted from a Melvins group for dissing on ambient noise music and professing my love for the Nuge. Sorry for setting the emperor’s clothes on fire, dudez. If it were 1975, and he were Eric Clapton, then maybe Melton’s views would not be so bold. But that was then, and this is now. In a culture where every form of degeneracy is permitted and celebrated, there seems to be a bit of an insurrection going on….

Savage Hippie: Let’s get the juicy stuff out of the way. You were recently kicked off of Castle Face records for making some “ugly” remarks. In one of your interviews, your keyboardist and singer Doris is quoted as saying, “The choice to move to Europe was guided by a lot of factors. American musicians (hopefully not Europe too) are getting increasingly politically correct and it started getting on our nerves.” And then you say, “So excited to be moving to Europe, but I will always consider myself a red-blooded American. And just like the waves of refugees pouring into Europe I will also not be learning any new languages or culturally assimilating.” And later still, Doris says, “I agree with Matthew on that. ICE is just doing their job, and I’m glad they’re finally starting to work on deporting criminal illegal aliens too. It took ages for me to get my green card here legally and because there’s so many illegals coming in they make it hard for the people who do want to become part of American society the right way. They’re handing out free money to people who come here illegally, but when you want to work hard to become an American citizen to start a family they make it so hard on you, and expensive!” You HAD to have known what kind of response you would get from an overly sensitive music scene, so why the loose tongue?

Dream Machine: Whether or not we knew it at the time, our interview ended up being a modern day political correctness test for society which a lot of people failed miserably. Even when we look at it now, all we really expressed was that we want to live in a place governed by law and order where people haven’t gone completely insane with political correctness. The people who freaked out so much did so mostly because of accumulated political frustration and peer pressure. The reason that we know that it was a fake outrage and nothing more than mere social media virtue signaling, is because we didn’t receive a single email from an upset person asking for any clarification, discussion, explanation, or condemnation for any part of our interview. Not even one! If people were genuinely concerned with things we said, someone would have reached out to say: “Hey man, what’s up with that?” or “We hate you guys” or SOMETHING! We feel completely vindicated because the backlash completely proved our point about how Facebook has become an echo chamber vortex that breeds reactionary weaklings. Most of the people who were freaking out so much are the same ones that adamantly defend modern technology to the death, unable to see the damage it is causing to our general well being and independent thought. We saw a couple the other day at a bus stop and the lady was holding up an iPad to her husband open to another couples profile shouting: “Why aren’t we happy like they are!” I think it’s actually a very serious problem, I could go on and on about it. 

Savage Hippie: Similarly, those remarks might have gained you some new fans from the political right. Are you happy to embrace any fans of your music even if their views might not be completely kosher? Clearly Dream Machine isn’t a political band, but do you guys stand for any parties, politicians or views, or do you basically keep that stuff to yourselves?

Dream Machine: At the end of the day, we consider ourselves musicians, not politicians and we don’t affiliate with any political or ideological party but we’d most likely fit in best as libertarians. People on the right will like us because we reject the poisonous group think of the alt-left which has become nothing less than a cult of unthinking zombies. That’s why we decided to oppose Facebook from the beginning, because it is the arena that the regressive left uses to radicalize their unsuspecting subjects while at the same time rendering their lives disharmonic and subservient. You don’t need a political affiliation to know that you need to avoid that! It’s common sense. 

Savage Hippie: According to another interview, you released The Illusion on Castle Face records, referring to the owners as your “homies.” Do you still consider them your homies? Did you phone ’em and say, “what the fuck guys? Thought you had our backs?”

Dream Machine: I did at one point, I mean they released 6 albums of my music over a period of several years. But it’s clear that they reacted out of fear and now I honestly feel bad for them now because so many people noticed the integrity they lost by kicking me to the curb in an attempt to appear virtuous to their customer base. It may have worked partially how they had hoped but it mostly backfired in their face. It worked out for us in the end because we gained such an overwhelming outreach from thousands of new fans, record labels, booking agents, etc and we’ve already ended up getting more exposure than we would have staying with Castle Face. Another weird factor in all this is that so many hundreds of people including other artists on their label and people in the music scene reached out to us expressing how they felt what they did was a pathetic move and they completely support us and saw nothing wrong with common sense opinions we gave, but also said that they could not speak publicly about it for fear of facing scrutiny from the angry mob. At least we were able to create a discussion so people can see for themselves which side of history they want to be on. 

Savage Hippie: Running through your music is a sort of, how do I say it, anti-degeneracy message? Once again, quoting Doris, she says, “The people I see here in Austin sleep with a different person every week. It just doesn’t make sense to me. When you sleep with that many people it can’t mean anything, it has to be meaningless. Everything is meaningless nowadays.” Seems like there’s almost a Christian message running through your music, or maybe not? Do you worry people will say you guys are a buncha squares, or do you fundamentally advocate monogamy over the sex, drugs and rock ‘n’ roll lifestyle that other bands in the “scene” seem to be all about?

Dream Machine: We are on the cusp of a polar shift in thinking. We looked around only to observe that the way people are living today is not bringing them happiness but misery and emptiness. The group think mentality of social media is largely to blame; You stare into the screens long enough and you begin to lose perspective and your reality becomes warped. We aren’t classically religious, but if you pause and consider where we are going as a civilization, what the future might look like going down the neo-liberal path, it doesn’t look very good to us. It’s what I would envision the roman empire to have been like right before they got destroyed. Everyone becomes so glutinous and decadent and they are too busy guzzling wine and having orgies to care or notice that their civilization is crumbling all around them. We are reaching a point where radical neo-leftism has become the mainstream, and conservatism becomes the new counter-culture. Now it literally feels rebellious to be starting a family with my wife. We’ve come full circle. 

Savage Hippie: All right, ENOUGH with political questions; let’s get down to the music. Why did you leave Warm Soda, and do you have plans on going back to them? I take it Dream Machine is a full time band and not a side project.

Dream Machine: Warm Soda had fully run it’s course. I mean once you make 4 albums that sounds almost exactly the same you know it’s time to try something different or you end up making wallpaper music. Dream Machine is our full time operation now and it’s already off to an interesting start! 

Savage Hippie: Since the obvious reference points to a lot of people are going to be Iron Butterfly, Blue Cheer, the Doors and maybe Jefferson Airplane… would that cover it, or was there anything else specifically you were influenced by? I mean, I’d die if you said you were influenced by Power of Zeus or Black Widow.

Dream Machine: Our influences include Power of Zeus, Birth Control, Curved Air, Lucifer’s Friend, Eloy and Gun! (editors note: I had never before heard of the German progressive rock band Birth Control. Their album Operation is awesome! Thanks Matthew!)

Savage Hippie: Also I looked all over the site, but I couldn’t find out who the bassist and drummer are in the “I Walked in the Fire” video. Is that info somewhere, or are you keeping them anonymous?

Dream Machine: We had already let our band mates go before any of this controversy came up because we are moving to Europe and we found a new European rhythm section. Our bass player in the USA couldn’t commit to the European tour because of his job so we figured it made the most sense to start a new group over there.

Savage Hippie: In your interview you say, “The debut Dream Machine album is like a warm up compared to the 2nd album we are arranging now which is completely piano based.” What like, there aren’t going to be any geetarz on it? Don’t tell me you’re going to turn into Emerson, Lake and Palmer or the first Atomic Rooster LP!

Dream Machine: It’s got guitars, we just meant that we were writing the album mostly on the piano, not recording it that way. We are in the middle of it right now and there are some heavy rocking songs on there. Think if Atomic Rooster had one Hell’s Angel in the band on guitar. We just recorded the drums and bass for the whole thing, now starting to add in guitars, piano, organ, synth, vocals, etc. I think people will be happy with our new album, It definitely blows the first one away.

Can’t wait to hear it! \m/

Get their stuff from Fuzz City records.

Listen to The Illusion on their Bandcamp page.

Watch their video:

But DON’T look for ’em on Facebook because you ain’t gonna find ’em there!

The Truth About Knew York “Hardcore”

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Special guest post by Jessie Nagy

Yes, every writing is mine. I don’t spend my free time getting drunk at bars just to speak on the woman’s level, so why assume otherwise? Do you ever see me at your stupid parties? To actually pontificate an essential point: let me ask a somewhat rhetorical question: Did you envision the technical formula that would be used to produce your guitar amps? Hmm? Did you weld those metal pieces together. You have your tools to create meaningless pollution, however, I have my tools to create what actually matters.

Those with merit opt for equity, unskilled ones for equality – the confusion of “fairness” for disregarding individual intelligence.

Art school – institutionalized debauchery & inefficacy with delusions of grandeur.

One of the most disturbing phenomena is the cult of the celebrity – the interest in completely unimportant people.

In a Capitalistic system hosted by democracy, what will wrongfully be “better” are people like Shaq, who are basically doing nothing. No. Fuck you, Ayn Rand. The most appropriate system is a technocracy, or some type of meritocracy of science. In a Technocracy, scientists would create robots to replace the menial work.
Technocracy is not political. It’s scientific.

In Knew York, the environment is already hostile. There is a climate of competition & having to prove how “hard” you are. There’s a saying: Move to California to mellow out. Move to Knew York to become hard.
With the Knew York hardcore/post-hardcore/metal-core scenes, it was a degenerate version of the original hardcore, which is hardcore punk.
Many forms of even so called “punkrock” these days is really just a form of grindcore & even metal. The funny thing is: I used to be a “death-rocker.” That’s a hybrid of goth & punk, not new wave, bands like: Deadchovsky, Southern Death Cult, Mighty Sphincter (that’s a hybrid of black metal & deathrock, excluding their thrashy & punk stuff.) 45 grave, Ausgang, the early recordings of Mephisto Walz, early Siouxsie & The Banshees (before they turned new wave), melencholic punkrock like The Mob, Uk Decay, & I used to subsidize for less by going to these more thrashy types of bands, & the people there, who barely even knew the history of punkrock, thought that I was some kind of “poseur”, yet the form of music that I listend to was actually more closely related to traditional punkrock in sound than the punkrock that most punks listen to these days – a lot of versions of thrash, grindcore, & metal.
The point is though is that this thing called Knew York hardcore is that the knew york hardcore scene, which is basically managed by a lot of bullies & idiots, has been hijacked by imposters, & what’s more is that these imposters is a prime example of the Anton Levey mentality, whether they realize it or not, of believing that they’re all, simply put, “hot-shit” for doing nothing. They strut with the notion that they basically just own everything. In actuality, they’re closer to being “poseurs” without even the slightest idea of what the history is, which I’m not defending any side of all that. I don’t care about that juvenile stuff. I only care about knowledge now. I’m just making a point of how juvenile it all really is.

That’s just one derivative. Even in the so called egalitarian scenes of like crust punk or generic punk, they all have this mentality of thinking they’re extra special just because. They have never learned the importance of hierarchy. Hierarchy is a good thing. In these scenes, if you are beyond “peacocking” – you show real intelligence, worth, competence, that’s “getting out of line.”
For all their talk on “wh… (taboo word) privilge” that they just parroted from the mainstream, whether they realize it or not, on their stupid little text phones, or whatever, because it’s somewhat of the new fashionable tattoo to comment on stuff that they don’t really know what they’re talking about, I think they should visit Nigeria where the police are corrupt, it’s extremely violent, & the standard of living is just horrible. This fake virtue signaling is like putting bumper stickers on cars just for vanity & entertainment. They don’t really have a concern for the objective anyway. Privilige happened because they were busy creating it from history, some mistakes sometimes because that’s what happens when you work hard.

The indie rocker community is another version of this politcally correct mediocrity. They’re not going to flaunt it the same way, but they have the idea that they’re all important by just being stylish. I’ve even known some of these idiots who smoked heroin & were worhsipped because they had a sexy way of presenting it. These fucking idiots want to believe that it’s all perfect, beautiful, etc.. Just listen to some Smashing Pumpkins, man, or whatever bands I don’t even care to investigate. That’s probably not a cool band, but whatever. They’ve never actually realized anything beyond plaid shirts, tight pants, & some obscure vinyl records, so if you were to tell them anything real, you’d already be some bad authoritarian figure. Same as the others, different uniform – lame, worthless.

These kids are not “interesting” because they collect obscure art, “extreme”, “independent”, “subversive”, special, or whatever they like to imagine themselves in front of their mirrors. You can’t even give them a slight suggestion or a realistic dialogue without them reacting. It’s just vanity & emotions. How is that “intense”? That’s womanly. (E)m(p)t(y)v. losers = empty.

Rhetorical statement: Although I will admit SOME black metal is good, like bands as Vigsoroth Moshamarahoth, which I would be very glad if someone can send a link to their full music selection because I’ve been trying to re-find this lost band, one song sounds like nebulous violence, most black metal is not what it is hyped as “strong”, “intense”, “powerful,” “brutal”, etc..  There’s some impressive blast-beats by Immortal, but most of that stuff really just sounds like 5 to 10 minutes of struggling.

Bragging in a crowd, implicitly or otherwise – there’s already people with low i.q.s doing that. They’re called rappers.

When I had a previous blog that gained some fame a few years ago, which is why I switched to other methods, many of these types of “Mtv.” losers started rumours on the internet about how I was some kind of faker & that I just contrived what I typed about because their casual schema is bounded by beer, music, fashion, & things directly related to that, so anything beyond that is just too mysterious to them. Most want to give orders, but no one wants to take orders from an intelligent authority.

Nietszhe, Raynd, Le vey, it’s all just Mtv. I’m not enchanted or impressed.

The more the culture over-emphasizes instincts & performing, the more jaded & entitled the consumers become. With the calculating approach, the skilled & competent can preponderate rational, scientific sovereignty, not the fake kind feted for the superficial & carnal, by reclaiming the dormant scientific recovery, truly representational of progress, which has been adumbrated by imbuing by the apposite type.

There’s been some mass confusion on a particular word. I will type, with citations, the etymology of the word hipster.

Sure, I used to like some of them on a superficial level when I was younger – because they made some impressive music, etc., but now I don’t have to pretend anymore, & for those who are thinking about becoming better than all that, trust me, none of what bounds your social groups with others is good enough. These (empty) M.-TV.-losers thought that I “sold out”/quit their little groups due to an apparent – what they assumed – “inferiority complex.” Essentially, the life-styles were people barking, some drinking, posing, & some competition, occasional fighting, etc.. I thought: Really – this is the game I have to involve myself in? Now that I don’t have to be bombarded by the stupid subtle contest of who is the most fashionable, etc., I’m now more free. It takes a high level of narcissism to believe that typical (e)M.(p)t(y)v. lifestyles is somehow “phenomenal”. You’re not “extreme”, or anything like that. You’re just deluded enjoyer types.

The “M.t.v.”/”hipster” culture – glamorizing an absurd version of consumerism & modeling – was born of the 1930s jazz scenes, also called “hepster” for those who knew about that music & smoking marijuana. Oh no, you feel bad for me because I’m reporting something realistically & all you mostly know is feelings. “Hepster” was printed as early as June 8, 1938 in ‘Variety’ Magazine, & had been “hipster” in the early 1930s in association with fashionable dancing – movement of a person’s hips, then morphed to “hippy”, then traveling to spawn Black Sabbath, influenced by both “blues” & hippy Rock-`n-roll, which then spawned the various “doom” styles & other branches – all same branches of one tree. The modern-day hippy/hipster/punk-rocker, & it’s various sub-styles – metal-head, goth, raver, lounger, etc., is mostly a person, but not limited to, of *Eu****** ancestry ( * Star before “bad-word” indicates foot-note. If you read books, you know what a foot-note is. I’m not trying to be “witty.” However, stars occluding word indicates “bad word”) acting like a ne****. It was sympathy romanticized from the ~1930s trash jazz groups spawning the various experimental styles now, then disco, then various electronic, etc., & the blues groups spawning swing, rockabilly, & all the various sub-genres from rock-`n-roll. Hippies came from hispters, & the modern day indie/punk, etc., came from from hippies.

There’s much more important mastery than collecting series of bursts of happiness, inaccurately called experiential “learning”. I’ve seen these M.T.V. losers abscond to serious plans & have had this done to me as well because there is this silly attitude that many have that because they can emulate M.T.V. idols really well, they have the unrealistic notion that they are extra-important, accompanied by disgusting losers who like to imagine themselves as more “clever” & “stronger” because they’re willing to cheat & sell drugs, etc.. With these “M.t.v.” losers, claiming of plans would be deceptive when it was no longer entertaining to them, then when questioned or suggested about it, they’d resort to calling you “materialistic”, or something, or disrespect your needs, even though they’re the ones so addicted to sensation seeking – a form of internalized materialism, which makes them flighty. I got influenced by these idiots’ cute-little-jokes when I was younger when I was a truly despicable person. Associating with these “M.tv.” losers is completely anti-constructive. Everything is just turned to a vanity instance. These M.tv. losers have joined the trend of making fun of something different – me, & I’m not complaining about it from a “hurt” state, but what I am stating is that these M.tv. losers can’t create anything original, so they follow & emulate. But the main reason I despise these “M.tv. losers” most of all is because they’re addicted to pleasure/sensation seeking/ego gratification & they continue to promote more of it, which also promotes lies & insincerity from distractions. Even the word sincerity sounds like something to have connotations of the crippled, & it actually just means deceit.

In all-caps to signify deep inhales (it’s outhales that are hard, jabrony-blowhee fucker dawg:

POSTMODERN AESTHETES ARE INFECTED WITH “FEEL GOODITUS” – STUPIDITY FROM INFATUATION. IT’S THE CONTAMINATION OF MULIEBRITY. THESE “SUBCULTURES” – (OR AS I LIKE TO NEOLOGISE: SUB-COUTURE) AESTHETES – WILL TAKE FRUSTRATION OUT ON THEIR FELLOW BROTHERS. THEY DON’T UNDERSTAND THAT THEIR FRUSTRATED, IRRATIONAL TRIBALISM STEMS FROM AN UNHEALTHY INSTINCTUAL YEARNING TOWARDS SYMBIOSES WHO EVALUATE & DENY A SOCIAL LADDER ON THE BASIS OF CATHARSIS.

APPARENTLY, THE SOCIOLOGIST NORMAN MAILER, WHO, I THINK, WAS SADLY PRO THIS “MOVEMENT”, BRINGS CLARITY ON THIS SUBJECT THAT HAS BEEN DEGRADED BY IRONY AS A DEFENSE MECHANISM. THE WORD (NOTICE: PLEASE FOCUS ON THE DESCRIPTION OF STUPID ACTIONS OF THAT WORD RATHER THAN THE WORD ITSELF THAT HAS LOST MEANING THROUGH IRONY, AS THAT IS HOW THESE PEOPLE COUNTER ATTEMPTS AT OBJECTIVE ANALYSIS. THEY “DEFEAT” THE CONTEXT BY DILUTING THE CONTEXT, & THEY APPLY THIS WORD LOOSELY TO A MYRIAD OF PEOPLE TO TRY TO EVADE THE DEFINITION.

THEY FEEL EXCLUDED EASILY. YOU CAN SAY THAT YOU ARE BEGINNING A NEW HOBBY & THEY WILL RECEIVE THAT AS A PERSONAL CHALLENGE & THEN THEY WILL STATE SOMETHING TO TOP YOUR STATEMENT OR WILL ADOPT YOUR NEW HOBBY WITH THEIR OWN LITTLE RENDITION , NOT TO CONTRIBUTE TO THE FLOW OF THE CONVERSATION OR TO UNDERSTAND AN ACTIVITY, BUT JUST TO REAFFIRM COMPETITION IN THEIR LITTLE “COOL KID RETARD” CONTESTS – A CONSTANT VANITY STRUGGLE. THEY ENGAGE IN DEBATES NOT BECAUSE OF GENUINE INTEREST IN INQUIRY OR CORRECTING, BUT JUST TO HOG MORE ATTENTION.

THEY ONLY THINK IN 2 SIMPLISTIC TERMS; “EITHER YOU’RE HIP OR YOU’RE SQUARE”. BUT WHERE DOES THIS PRIMITIVE FEELING BASED MODE OF “THINKING” & SENSATION SEEKING REALLY COME FROM? IT’S UNCONSCIOUSLY EMULATED FROM SOMETHING ELSE, OR RATHER, OTHERS. RATHER THAN SPECIFYING FURTHER, I’LL GIVE YOU THE WONDERFUL OPTION OF FIGURING IT YOURSELF.

They allow art & sports in academia so all the females & retards can feel special. It’s a democratic form of understanding based on a double arrowed property of flattery. Society will not give the podium to anything ratiocinitive because that would result in the enforcement of the separation of direct subjectivity. The ones who should be winning “Grammy awards” are the ones who are conducting rigorous research, cracking mathematical codes, showing light in a world of darkness, not your fucking “Hollywood rockstars” & “pin-up models”.

Related to the hippy culture, or fashions, actually: uncharted aspects of education:

“Learning” by regalement is not good enough for me. Most rebuttals against me have been that I need to experience the validation of what is counter to ratiocination. The same culmination I have gathered has been shared by other men who are either in their mid. ages or who are seniors, if they weren’t spared such conclusions at the time when many women seek middle aged men to use for all the time that was wasted in their younger years. I gained the answers in my early 20s. I already nebulously knew in my late teens, but did not refine the answers until my early twenties. Martin Van Creveld, author of ‘The Privileged Sex’, who I cite subsequently, is one of those who is both much older, as well as highly bookish – double the power.
Females are accommodated from dangers of all kinds – physical, emotional, & mental. First I will Explain the physical & emotional aspects, then the mental aspects. It’s not necessarily bad to accommodate them from such. What is bad is when that atmosphere presides most of a culture.

For one example, Males In Britain are more likely to suffer from lack of psychological support, overcrowding, & lack of amenities. Most males universally already want to be tough around age 4.

There are behaviours & attitudes that would make parental & authority figures create difficulty for the male child. It is conversed for female children.

To say that the following is due to “patriarchy” is faulty. It all commences from feminine oblique appraisement. Females naturally have an inborn prepossession for the most leathery of the apposite sex, regardless of what they express to be the contrary, & they favor this over brainpower. They might be attracted to doctors, for example, but not because of the will of his mental concentration, but because that doctor holds authority. That is generally what females are mostly concerned with. If you don’t believe, try this: next time she customarily asks you “how are you”, reply with “not so good.” You’ll notice that your relationship will soon recess & possibly be terminated because of her.

In many societies around the world, males may have to endure humiliation by having their hair removed, even pubic hair occasionally removed, make absurd poses, get naked in front of elders, recite self mockeries. Symbolically familiar? Ordeals of nutritional & sleep deprivation can also occur, & physical pain, such as body modification & tattoos. In Papua New Guinea, some tribes climb to a high place, fasten a rope around their leg, & then plummet. (Supposedly what inspired bungee jumping). Just very basic samples of universals. Other many examples would be too lengthy for other readers, & possibly exasperating. The enigmatic issue of male genital mutilation is the biggest example. Tribal women in Australia told a researcher that they would not marry a man who could not show himself to bear the pain. It is seldom told by reasoning to discipline young males to remain hygienic & in control of such regions because reasoning is extirpated. Simply, females select stupid males, so we have a stupid society. Female genital mutilation is outnumbered & due to amateurish societies jointly, not males-oppressing-females. Many actions of such cultures are poor.

On the mental aspects accommodated:

By around the early 1900s, it was not absolutely mandatory for females to take hard courses of mathematics, Greek, natural sciences, & Latin. This was the prototypical setting to modern equal opportunity.

What female separatist schools shared in common was pleasantries. The Feminist Mary Wollstonecraft, who once managed such a school, stated that it was here where the pupils were “first spoiled”, both for the U.S. & earlier Russia.

From 1850, schools became intensely feminized. By 1900, 0.75% of all public school teachers in the U.S. were women. By 1920, it was 90% & above. Boys were now being taught en masse by women for the first time in history, which caused the boys to be treated more like girls. They were disadvantaged because of this.

By 1950, females were getting better grades than males in elementary school not because of better skills, but because of more accommodation for females. The trend has grown since then to also high school & universities. Simultaneously, importance of grading has been ruined. When schools admitted females, they were hustled to remodel the system to meet females’ needs.

Because more educational opportunities are open for females, they also have more collegiate options, like the arts. One of the feminine demands is to include cleaning & cooking to be worthy of grants as much as Latin & Algebra.

If females were separately taught, it has been claimed that they’re discriminated against. If taught with boys, that they’re needs aren’t supplied.

Feminists blame the fact that females’ tendency to be involved in the humanities & the arts is due to society steering them towards such. It’s usually the apposite actually. Past attempts to introduce technical work to females didn’t change females’ tendency.

A president of Harvard – Larry Summers – actually lost his rank because he dared to suggest that there should be further studies on mental differences of the sexes.

Surveys conducted by several countries prove that female academics are generally less productive than males.

Other than perhaps devising a means to rate how technical a female can be, usually sexually dimorphic – masculine – females, it’s best to keep females simple & out of the way of male endeavor. Invent new schools for females to specifically further their generally limited nursing capability.

Advocating their traits in academia does not only have consequences in academia, but also in the external social arenas as well.

Political Correctness is a tool used by governmental factions as an attempt to control populations by economics. Since these factions are concerned with maintaining economics, they would not be concerned with idealism/”spirituality” derived from truth of real science, only a means to support practical materialism so that populations are preoccupied with consuming.

Obviously, in order for political correctness to thrive well, it had to acquire help from academia. To try to present political correctness as “scientific”, The Institute for Social Research was opened at the University of Frankfurt in 1923. To ward off deeper thinking & discernment, one of the dominant ideas in the humanities field & social sciences would be that society itself was the most powerful force determining how we all are. There is some truth to this, of course, considering how this social engineering will cause most supporters of scientific realism in a debate to be bombarded with counter-arguments that “sexual identity is a social construct”, or who try to dodge the nature-vs.-nurture debate by loosely replacing a newer concept of sex with the word “gender”.

Scientific realism is that biology precedes culture; the phenotypic – nurture aspect – realities we have now were originally cast by genotype – nature aspect. If there is variation in how populations behave now which influences behaviour, they originate from rudimentary nature which caused the nurturing effect of the environment to reflect upon that.

It had been said that Plato once stated that if the artists are given too much dominion over the mind, there will be a decline in society.
One of these obstacles to scientific realism that helped foster these ideas that society is solely & only shaped by the external culture were the behaviourists, which would unfortunately give support to the “flower-power” generation in later years who held the same belief, which was the predecessor to the adherents of postmodernity that uses notions of taste to try to detract scientific realists in this entertainment era fueled by mostly distractions – the generation upon generation of young daughters who think they’re smart & qualified because daddy bought them a certificate that states they studied puppetry, or whatever, who have their parents give them lots of money to fund for their “collegiate” pursuits of smoking marijuana when they’re not attending their stupid art classes, whilst drinking alcohol & having sex with jiving degenerates because they’re entertaining. They act like independent thinkers with their glibness but they’re “independent” thinking is only supported by un-courageous thought processes inflamed by the dramatic & pleasing.

The politically correct & postmodernist can not tolerate the drudgery of real science, so they look to more mesmerising beliefs such as psychoanalysis & ‘Critical Theory’. ‘Critical Theory’ taught today in the humanities field of universities was contrived from when the Frankfurters in the 1930s started to probe culture much more to have a better understanding of how socio-economics grow. It’s an extension of the politically correct idea of a dialectical critique for the purpose of not to understand truth but to try to make populations complacent consumers.

The behaviourist Skinner – a proponent of the ‘Tabula Rasa’ belief – liked to think of himself as “scientific” but he only proceeded his dull craft of social engineering psychology after failing as a fiction writer. Along with the fashionable word-maze artist Michel Foucault that Feminists have been influenced by because of his statements that the body & sexuality are purely “cultural constructs”. Eric Fromm – a non-technical psychoanalyst lacking in neuroscience & biology – was another key figure building on the work of the anti-science of the ‘Frankfurt School’ of political correctness. If you are the type who can sharpen your own mind by grinding your thoughts against dull slabs of tablets, you can discern the political correctness in writings like Fromm’s ‘Art of Loving’ & ‘Sane Society’. Adherents of his liked to shun that intelligence is heritable in the 1970s. Fromm is one of the key figures who especially tried to think himself as adequate enough to speak on differences of males & females, stating the “socially constructed nature of sex” in his post structural writings.’Eros & Civilization’ by Herbert Marcuse was a major un-scientific piece of garbage that helped spawn the 1960s rebellion of the youth who held the attitude that progress is meaningless & fashion & escapism is good enough, hence their dislike of real science that requires much discipline.

These -isms & pseudo intellectuals posing as true philosophers & social scientists were key figures in promoting the self centered me-me, rebel-without-a-brain attitudes of the 1960s generation that Feminism aligns itself with.

Not exactly the same but paralleling these anti-scientific people, Laveyan Satanism is for those who prefer something that seems different but still above-all encourages the same a-science escapism & Dionysian hedonism that reinforces subjective sentiments & distractions. One of Anton Szandor Lavey’s insistence is that people who are that stupid should be taken advantage of to be propitiated away from competence. This just stokes more stupidity & dis-functionality that ruins it for the intelligent who don’t deserve it. Laveyan Satanism borrowed heavily from Nietzsche – a descent poet that liked to over-hype himself as “important” while favoring the Dionysian aspect over the calm, more thoughtful Apollonian aspect, who appropriately became infected with a sexually transmitted disease from a prostitute. The philosopher Ayn Rand also pontificated further Nietzche’s “will to power” by re-appropriating what it means to be objective. Real objectivists are doing science free of cultural conditioning, not seeking happiness & evasion.

I hate so many philosophers.

The biological probabilism that is essential to understand scientific realism is the forerunner before cultural nurturance. The pervasiveness of such cultural figures reveals that such politics is used to advancing themselves as an organism naturally would try to in order to adapt to the environment. They conceal the original scientific realities of biological probabilism so that logical coherence is weak to create cultures of the farcical & the attitudes in people that they’re level of conjecture is special, that what is contemporary with what is marketed, & acceptable by such a populist, is better than the quality of highly rigorous work, & that science is a “big-bad-authoritarian” enemy, when it’s actually used to make societies functional.

Thankfully, just like how when a male injecting himself with an affair with an unavailable female reveals to the original romantic partner how she truly handles so called dedication & that the original partner was entangled in an illusion, during the attempt to muddle distinctions of true femininity & masculinity, destroying the family unit only revealed, to those smart enough, the true nature of females. It is females who are the most receptive to Feminism & related ideas that amplifies their true nature. It is females who are receptive to such illogical ideologies because females are themselves illogical, which only disproves p.c.’s antithesis of biological probabilism further.

So, closing with final need realizations:

This is a transcript of an audio presentation. Instead of assuming as an idiot by slander that because I’m minutely using others’ models, that I’m “inauthentic”, think, instead, of how much hard work was implemented in re-typing from sound format & how that would be logically inferable of how diligent I would be in my ability. I compose much more elaborately than the following representatives, so…. There were three commentators in the audio dialogue. For the sake of convenience, I have labeled Jacque Fresco’s commentary as “J.F.”, “C.#1” – commentator number 1, & C.#2 – commentator number 2. Also for convenience, I have discarded small irrelevant stuff, such as “um”, etc., & other garbling stuff.

This subsequent pre-commentary is mine:

The coherent understanding of collectivism is a cowardly means of following trends & orientations which keeps progress static, or, in many cases, actually causing detriment; in a case of bystanders joining a pecking order in expulsing a genius with better plans because another authority group judged the expulsion to be the good action.

A collectivist would give you a false answer.

The coherent understanding of individualism is individual thoughts, not instinctual drives, that causes intellectual evolution.

It’s a tricky understanding because almost any idiot with delusions can claim to be enlightened, but this is actually due to collectivism’s insistence of congealed temporal habituation that pauses real intricate idealism. The minority ones with the truth are scoffed after the attrition with: “You’re insane.” More accurately: One becomes unnerved from dealing with others’ foolishness.

Because sociological vocabulary is often depriving, individualism taking over a culture would paradoxically be “collectivism.” It’s individualism – intellectually evolved by disaffection, as those are the alienated ones concerned with technical details – that would cease deprived contention.

The universally initial appreciation for a given art-form is predicated on its own introduction; meaning: you only like what you’re exposed to, & you think it’s “significant,” but it is only “significant” because your limitation to the style of it deludes one to not understanding that all aesthetic forms are trivially generic; “my extreme blackened thrash noise wall is different & better than the juggallo-surfer-indie,” when, aside from a very slight variation of language that is emblematic of temperaments & inclinations, it is actually all relatively the same, & only fixed by a difference of an opinion of liking or disliking (sometimes neutral). Even forms, for example, classical music, that acclaims of superiority because of abiding by an attentively required formula is trivial. What a waste of time. All the grand concentration held by the producers of the latter could be used for something better, instead of wasting that skill on a self-insulting level. Art does not make you smart. If you think art makes you intelligent, you are the proof of how stupid you are. This delusion then creates the attitude that a generic one is special because this mistaken notion that a personally entertained figment is only of themselves, when it is actually just a different version of the same universally, & gives the maudlin feeling ; “I just can’t explain it” – a form of confused retardation.

Since appreciation for a given art-form is only predicated on its own introduction, an anti-art technocratic oriented society only functioning on rationalism would replace such preexisting stalling notions because the extra result from rationalism would naturally instill stimulation or tranquility, thus putting the universal & generic truth about art back in order. For example, generators make stimulating sounds. The shimmer of metal is stimulating. It is even more stimulating if that’s all you’ve been introduced to.

We don’t need these disgusting attitudes in society that one is extra-important just because they have “talent”. Intelligence is what matters the most.

The worded recording:

J.F.: “In a tribe that was just about to go to war, & they were tense, & they danced around the fire, & yelled & screamed, they danced around the fire & relieved that tension before they got into battle. Soldiers, when they march, sing. The reason for that is to take their mind off: “how’s my wife doing?” “I wonder what’s happening at home with my kids.” But if you got them singing, like the Marines sing ‘Blood Makes The Grass Grow,’ takes the attention away from home, you’re better off, & if you can involve them in little games, dancing, sports, that takes the attention away from social problems.

Boxing, wrestling – sports in the future, there will be nobody punching one another because that damages the brain, & nobody seems to give a damn, except that they like that. A ballet dancer in later years will have a lot of trouble with her ankles. What they do is not good for the body, & they rehearse long hours, & they damage their body because we have emphasized ballet – we like it.

Now, if you consider ancient Rome, where they used to feed Christians to the lions, & kids would say “Daddy, can we come next week to see Christians being fed to lions?” Daddy might say “If you behave yourself.” Now, these kids are not mentally ill. (My commentary: I completely disagree. Most humans, usually the intellectually un-evolved, are naturally sick because of their cowardly collectivism towards almost any expectations.) They’re brought up in a society that’s warped. Our society is warped.

It’s hard for me to talk about the things that normal people have come to like. Do you understand what I mean? It’s like walking over to an Indian, saying “Why are you dancing around the fire with feather hats?” That’s ridiculous. The Indian doesn’t say “Gee, thanks for telling me that. I never thought of it that way.” Don’t you see, people can no longer step out of their culture by a lecture or a single movie. It just takes a long time to learn where these things came from, how they emerged, how they evolved.

Now, putting decorations through your ear, piercing your ear, something dangle from your ear, if a  person came from another planet, they had a watch on the wrist, he might say “what is that?” You’d say “well, I can’t keep accurate time. This machine helps me keep time.” & He’d say “what are those glass things in front of your eyes that appear to be transparent?” He’d say “well, I’m losing my eyesight where I can’t read, I can’t see anything far away, & this helps me.” “Well, what’s that thing hanging from your wife’s ears?” “Oh, that’s decoration.” “Yes, but what is it..” See what i mean? That’s the same as a primitive person painting their face in different colors to keep evil spirits away. Now, they say that with a straight face. You can’t tell them what they’re doing is primitive, backwards”

C.#1: “You know, being an individual is not how many rings you have through your nose, or what color your hair is, or if your hair stands straight up, or, you know, the clothing that you wear. It’s how you think, & you have to think about what all these different fashions are for, too. A lot of people make a lot of money by changing fashions every year, so it’s good to consider the motive of all these things.”

J.F.: “Same with automobiles. They hang a tail-fin on them, or a… (can’t distinguish word). This is all artificial. I would spend all that money on safety devices, instead of a tail-fin. Like, if you build a monument to veterans, the veterans think that’s a good thing. I think it’s a terrible idea. If you have any surplus money for monuments, give it to the veterans’ hospital, & build M.R.I. machines & x-ray machines. Build what is needed in the hospital to help veterans, not a monument.”

C.#1: “You know, in the old days, we didn’t have cameras & things like that, so people painted portraits of one another, & they were pretty accurate, & they were pretty good at one time, but today we have the camera. We can even do x-rays right through people if we want to see what they look like, but you don’t need people to draw portraits of them anymore. A camera does a better job in many instances.”

J.F.: “But you can’t superimpose that because people were brought up with ‘art appreciation.’ There’s a lot of parasitic beliefs we have that will vanish in the future (My comment: Good!). I don’t expect people to turn around at one of my lectures, but I do hope they’ll think about it.”

C.#2: “You’re saying, to a degree, at somewhat, that they’re irrelevant, but, yet, you decide that in the future, they’re still going to be “sinners” with cameras & musical instruments & all the equipment that someone would need to perform these artificialities?”

J.F.: “Yes, that’s true, during the transition.”

C.#2: “Oh, during the transition.”

J.F.: “You need all those things as normal people, so called “normal.”….. A “normal” French man accepts France. A “normal” headhunter accepts headhunting.”

C.#2: So you’re saying, eventually, we won’t need those “sinners” anymore?”

J.F.: “We will have new forms – new art forms. I’m using the word art because that’s what people associate it with. But in the future, we’ll have new art forms. I’ll tell you a little bit about what that means. New art forms means that furniture will not be designed by artists or designers. Furniture will be designed by anatomists & physiologists to conform with the human body; as they lean forward, the chair helps you get out; the chair adjusts itself to the pressures, rather than you moving on the chair all the time to change the pressure-point, the chair will move. That’s what I mean by anatomists; Dinner wear will be designed by people that study the physiological shape of the human body, & the forks & knives will be designed to best accommodate human attributes.
Art was a great thing 100 years ago, where people didn’t have any ideas at all so they just made a lot of people buy a Kennedy-rocker. Its a most uncomfortable chair in the world, but Kennedy had one, & he was an important man, so people did things un-sane. Un-sane means not the best way for the human body.

It’s going to take a lot of movies, a lot of education. You can’t practice medicine without going to a medical environment. First You have to go to medical school. If you want to be an engineer, engineering school. You have to go to an engineering environment. We are not brought up that way today, so we have thousands of problems that generate more problems, as we invent more & more laws. Laws do not deal with problems. They’re attempts at a quick fix, but they don’t deal with the the problem. We have to eradicate the conditions that produce serial killers.

In the future, all this was transitional – the golf courses, the tennis courts. That’s all transitional. You can’t suddenly put a new society down & outlaw the patterns that people have been conditioned to. They have to outlaw that through knowledge.”

C.#1: “Yeah, there’d be churches in the city, too. You can’t ban anything, otherwise it goes underground. It doesn’t work.”

Search for recording: Art in the Future – Jacque Fresco

Citations:

‘The Woman Racket – The New Science Explaining How The Sexes relate at Work , At Play & in Society, pages 6 – 11.

‘The Privileged Sex’ by Martin Van Creveld, pgs. 48,49, 50, 54, 55, 56, 57, 59, 60. (Much enemies, much honor indeed. There’s more cited examples of the dominance hierarchies, not intellect hierarchies, females create but, it’s enough typing.)

Why Are People on the Left Obsessed with Balance?

book_stack_2.0In the aftermath of the Orlando shooting, I’ve lost a number of Facebook friends, including a couple of gay ones, who tried to pin the attack on the “Christian Right” or the precarious concept of “homophobia.”  Anyone who isn’t completely retarded knows that the reason Omar Mateen opened fire on a bunch of gays in a gay club is because he’s a Muslim, and Muslims hate gays.  He openly expressed ties to ISIS and acted exactly as his holy book told him to.

And, believe it or not, there ARE people on the left who completely agree that Islam is exactly what motivated Mateen.  HOWEVER – and this is HUGE – leftists STILL feel the need to give a tit for tat rationalization for the event.  In other words, even though this guy acted in the name of his whackadoodle death cult, according to leftists, Christians are JUST AS likely to act in the same way.  And aren’t they correct?  I mean, you have the Westboro Baptist church and this hilarious black preacher yelling about gays shooting fire out “they ass”, and you have the Crusades, and you have Timothy McVeigh and Dylann Roof and Christopher Harper-Mercer and Elliot Rodger; clearly, nutjobs come in all walks of life.

Except these arguments are all completely wrong.  If Christians are JUST AS likely to commit the atrocities that Muslims commit, how come something like 30,000 of the last terrorist attacks since 9/11 have been linked to Islam?  When is the last time a group of Christians flew planes into buildings, opened fire into gay clubs, raped a bunch of women on New Years Eve or blew up the Bataclan in France?  And, last time I checked, the Crusades happened more than 700 years ago.  Christians en masse don’t do that anymore.

And, for Timothy McVeigh, Dylann Roof, Christopher Harper-Mercer and Elliot Rodger, you literally have such a diverse motivation for their actions, that to find any pattern at all, other than that they’re crazy and should not have had access to the weapons they possessed, is completely disingenuous.  McVeigh was a crazy militia guy who hated the government, Roof was racist, Harper-Mercer was sort of like a cross between McVeigh and Roof, only he was half black, and Rodger was pissed off that he was still virgin at 22, not to mention being half Asian.

Yet, I still have a Facebook friend who claims that Christianity’s influence, while not having the direct, “kill all the infidels” message of Islam, infiltrates more subliminally, commanding the McVeighs and Roofs of the world to kill people.  I’m sorry, but that’s really dumb.  That’s so dumb, that I wonder if this person is just saying it because he NEEDS to maintain the notion of balance, that “there’s assholes in every crowd”, or if he legitimately believes it.

He’s right about one thing.  There certainly ARE assholes in every crowd.  Nobody denies that.  There are also good people in every crowd as well, including Islam.  But individual circumstances or the “have you actually met a (fill in the blank) person before?” philosophy completely goes counter to the law of large numbers, which we have been using for centuries to figure out how to deal with different groups of people.  Unfortunately the left, or rather the politically correct left, simply cannot fathom that some races, ethnic groups, sexes (and there’s only two) or religions are over or under represented in various walks of life simply because they are.  Or maybe they secretly DO realize this, but don’t want to say so out loud.

I was talking to another friend of mine I told him that it’s not racist to blatantly say that black ghettos are dangerous and violent, more violent than the ghettos of any other group of people.  His response to me was that poor, white trash areas are ALSO violent.  Yeah, because statistically speaking, trailer parks are known for their crack gangs and drive by shootings, where little children are gunned down.  It’s that denial that leftists wallow in just so they don’t have to confront the ugly reality that maybe some groups of people haven’t gotten their shit together.

I dare ask why a place, such as Ferndale, MI, which is right next door to a crime ‘n’ crack infested shithole like Detroit is almost entirely free of crime.  I read that police officers were accused of stopping blacks and Latinos more often than anyone else for traffic violations.  This means either that cops are overly mean to dark people or that dark people from Detroit are simply speeding more.  Either way, considering how blacks are responsible for over 50% of homicides and make up only 13% of the population of the entire country, there IS a reason why they’re not bringing much of that violent crime over the Eight Mile Rd. divide, which separates Ferndale from Detroit.  And I’m fairly it isn’t because of an invisible force field.

A couple of my friends also wanted to draw the direct parallel to college kids rioting whenever their football teams won or lost.  Real smart there guys; last time I checked college football riots didn’t destroy entire communities and make business owners pack up shop when they collected their insurance checks and moved to other communities, ones less prone to self destruction.  Another one of my friends drew a direct parallel between the Ferguson rioters with the group of bikers who caused a bunch of trouble last year, as if that too is a common occurrence.  You see, numbers.

But, of course, actually saying any of that will get you branded as an evil, racist, neo-Nazi, poo-poo head.

Just like it will get you called a racist for complaining that Indians (dots, not feathers) bargain too much.  A former QuickenLoans coworker who is Asian (Korean, I think) complained about this, that every time she hears “that accent”, she knows she’s going to have to be on the phone that much longer to try to hammer out a deal.  She also told me that I’m not allowed to make this same observation because I’m white.

Or get you called anti-semitic for pointing out that nearly every major media outlet is owned and/or run by Jews; Jews like Steven Spielberg who make movies like Schindler’s List in order to shove heaping piles of guilt down everyone’s throat, as if most people who saw the film were ever involved with the Holocaust.

Or get you called a sexist pig for pointing out that the reason women only make $0.77 for every man’s dollar is because they choose easier professions that don’t pay as much along with working less hours.  If every woman in the world stopped working, the only professions that would be greatly affected would be nursing and elementary school teaching.  Yet, since women insist they’re equal to the men, they go through college, bust their asses AND… get mediocre office jobs that anybody could do.  Or get bumped up to H.R. positions, so they can discriminate against men, mainly white men.  Ever wonder why the staff at Huffington Post is ALL women?  Yeah, me neither.

But, wait, isn’t women’s soccer more popular than men’s soccer?  Shouldn’t THEY be making as much as the men.  First of all, no, it’s not, and, second of all, how much they make is up to whoever THEY negotiate deals with.  For the women’s soccer league to demand as much money as the men’s is the same as people who work at Walmart complaining that they don’t make as much as the people at Meijer.  Why is it Meijer’s responsibility to make sure Walmart employees are paid more?    It makes no sense; but, it makes good propaganda!

So, what gives, eh? I don’t freakin’ know.  Since nowadays you can choose what race, sex, ethnicity or species of animal you want to be, there’s no reason to complain about inequality at all.

 

 

 

I Do Wanna go Back 50 Years and Do It Over.

me_pet_sounds_paper_backsI was discussing with my coworker whether, if it were 50 years ago, I would be into the music of the day.  My guess is most likely not.  I would imagine that a 32 year old version of me back in 1966 would have been married with a couple of kids, working a standard or above standard job, living in a nice house and buying my kids the paperback books you see me holding in the picture.  After all, if we’re going by what the culture was like back then, I probably would have outgrown “popular music” by, I dunno, 1952 at age 18 and focused entirely on either getting a career or going to college, back when having a college degree actually mattered.  The only reason I’m bringing all of this up is because I saw a Facebook post reminding me that the legendary Beach Boys album, Pet Sounds, was released 50 years ago, and it got me thinking about how art, culture and society have evolved/devolved in half a century.  So, let’s start with the topic I know the most about.

1966 is probably the most important year for rock ‘n’ roll.  The album took precedence over the single, and many of the most important albums were released that year.  Rock showed the establishment that it too could be taken seriously as a form of art.  Older, established bands were no longer content to just entertain an audience; now they were officially “artists.”

On Revolver the Beatles experimented with Eastern, Sitar sounds (“Love You To”) and backwards, psychedelic tape effects (“Tomorrow Never Knows”). On Aftermath, the Rolling Stones threw in baroque arrangements into “Lady Jane” and also used Eastern influences on both “Paint It Black” and “Mother’s Little Helper” – the former on the American version of Aftermath, and the latter on the European version.  And on their album, A Quick One, the Who performed the first “rock opera” (nine minute “A Quick One While He’s Away”).  On top of that, there were all of these wonderful, unique and creative albums from new bands; Black Monk Time by the Monks, The Psychedelic Sounds of the 13th Floor Elevators by the 13th Floor Elevators, Freak Out! by Frank Zappa and his Mothers of Invention and both The Seeds and A Web of Sound by the Seeds, just to name a few.

One could say it was a gosh darned renaissance in pop music!  New ideas, new drugs, new open sexuality – the world was throwing off the shackles of the previous generation.  However, one album stands out among all of the other classics of ’66 for what sounds like a lamentation of all this “moving forward” that society was doing.  Okay, you could talk about how the Kinks sang about the loss of the old way of life to modernity, but for the sake of argument and because they’re British, let’s ignore them and focus on the album I’m holding in the picture: Pet Sounds by the Beach Boys.

If I’m not mistaken, most hipster people don’t think much of the Beach Boys because the group’s early surfin’, cruisin’, drag racin’ and tail chasin’ (okay, that last one was a bit of an exaggeration since their songs are pretty wholesome) world view reflected a macho, retrograde, capitalist, consumerist and all American culture that these days is all but a quaint memory.  That’s probably why the only Beach Boys album any of them seem to talk about is Pet Sounds.  And, I’m assuming that has more to do with Mike Love’s experimentation with orchestral flourishes, than what the group was singing about.  We want to turn on, tune in and drop out, and you’re singing songs about marriage?

When did the 60s actually start?  Well, obviously 1960, but 1960 was really no different than 1959.  We didn’t see any real spike in cultural upheaval until a few years after that.  As far as I’m concerned, the 1960s that Dennis Hopper says you weren’t in if you claim to remember it didn’t really begin until 1966.  Sure Kennedy’s assassination in 1963 put a damper on America’s soul, the 1964 Civil Rights Act rearranged how private businesses were allowed to operate, the 1965 Hart-Celler act fundamentally changed the American demographic from majority white to god knows what from god knows where and the 1965 Watts Riots led to the start of white flight from major cities to their neighboring suburbs, but a couple performances by some British rock bands on American TV in 1964 and 1965 didn’t exactly represent a rapidly shifting cultural zeitgeist as many would like to think.  In fact, if the clip that I saw of a couple of young people complaining about Jim Morrison’s onstage social/political rants are any indication, there were plenty of people from that era who viewed mainstream rock and pop music as nothing more than entertainment.

The true cultural shift began to manifest in about 1966.  Hollywood studios “broke the code” by releasing movies like Mike Nichols’ Who’s Afraid of Virginia Woolf?, with blatant references to “humping”, and the Michelangelo Antonioni film Blow-Up, which has a bunch of nudity in it because, like, nudity is cool.  Anton LaVey launched his Church of Satan because traditional religions are for the birds.  Bra-burning feminists hit the scene.  Black Panthers began to patrol the streets of major cities.  The kids were being told to not trust anyone over 30.  Hair was getting longer, sex was getting looser, movies were getting smuttier, music was getting druggier and American society was embroiled in one of the biggest cultural wars it had ever faced since, I dunno, the Civil War?

angry_bikersAnd so, it’s 50 years later.  I’m a HUGE fan of pop-cultural ephemera, music, films, magazines and books from the 60s.  I wonder if it’s possible for all of this stuff to exist if the culture hadn’t taken such a massive nose dive; would there even all these cool sexploitation films and biker films and John Waters films and Satanic films and women in prison films and excessively violent Spaghetti Westerns if there wasn’t a society to reflect off of?  Granted, the gangster and crime pictures of the 30s through the 50s were already reflecting the darker side of American culture, and of course there were horror movies.  Companies like American International made sensational movies like Teenage DollThe Wild Angels and The Trip so that the average Joe could experience “the other side” without having to join a gang, get into a violent brawl or drop a hit of acid himself.

When all was said and done, the majority of people didn’t participate in the lunacy and cultural degeneracy of the 1960s; they worked jobs, got married and had kids.  The ones that were part of the counterculture either became burnouts or were absorbed into academia and various parts of government, taking their views with them and forcing them onto future generations.

I’m sure many of the geriatric counterculture types who were alive in the 60s would never have guessed that we would have men in women’s clothing trying to use women’s restrooms or girls excusing their sluttiness with such clever labels as “polyamerous.”  The craziest yippie, hippie, degenerate freak of the 60s never would have even considered gay marriage a possibility.  Many “freaks” I talk to, who were around back then, still love the music, but now have way more conservative views.  Yes, these were degenerate freaks; but they were mostly heterosexual, degenerate freaks.

And so we have the first verse of “Wouldn’t It Be Nice”, the opening track on Pet Sounds by the Beach Boys:

wouldn’t it be nice if we were older
then we wouldn’t have to wait so long
and wouldn’t it be nice to live together
in the kind of world where we belong
you know it’s going to make it that much better
when we could say good night and stay together

Can you imagine such an antiquated notion as asking someone to marry you marketed to the kids of today?  Forget the kids; what about the 36 year old sluts who are getting pumped and dumped for the umpteenth time by some guy in his early 30s, who doesn’t want to commit to an over the hill broad that still thinks of herself as top shelf in the sexual market place?

Jesus, don’t even bother with these lines:

Maybe if we think and wish and hope and pray it might come true
Baby then there wouldn’t be a single thing we couldn’t do
We could be married
And then we’d be happy

Praying?!  Why that sounds like something those stupid Christians do!  Pet Sounds came out 50 years ago right about the time the culture was “changing.”  We’re now seeing a mirror image of the 1960s.  The hippies, radical feminists and Black Panthers have been replaced by Occupy Wall Street, “free the nipple” feminists and Black Lives Matter thugs, and, with the ascendancy of Donald Trump, the growing discontent of the American worker, the trend in single motherhood, increasing inner city crime, the desire to end trade agreements, overbearing political correctness and a stronger nationalist sentiment, I have a feeling the next generation may be clamoring  for a reversal of 50 years of “progress.”