Christopher Lee has to be a in a movie for more than two minutes for it to be fair for American International to advertise him on the bill, I think.
I realize that this movie really doesn’t deserve three out of four iron crosses and that most people who might stumble upon it will find it incredibly boring, but what can I say? It appealed to me because it has some creepy looking sets and surprisingly realistic looking gore for 1973. If I’m not mistaken, the old blood formula made most blood look like red paint; at least this is what Tom Savini said in a special feature to some movie I saw a long time ago.
There isn’t much in the way of plot in Raw Meat. In fact, you’d be pressed to think of a reason for it to even be 87 minutes because there is almost nothing going on! An American student and his adorable, red-head gal discover a body of someone who’s important or something laying on the steps of a subway and go report it to the police in Scotland Yard. The police chief is Donald Pleasence who is delightfully dry and sarcastic the entire time.
After that, it’s basically a police precedural crossed with a gross horror movie. All of the horror takes place in a grimy, underground sewer-like hideaway, where dwells a grotesque looking man, and, over the course of the film, we get to see some awesome shots of half-eaten and decomposing corpses laying around old furniture in a dirty underground hideaway. There are some hints as to how these were apparently people who got stuck in the subway due to something happening. I honestly don’t remember the explanation and didn’t find it all that important to story.
Eventually, the not quite bad guy, who is more just a confused or retarded mutant like thing, with sick looking head wounds and messy strands of hair, kidnaps the cutie and the police go to find her. And that’s it! There is absolutely nothing else to say about this movie! There are very minor plot points here and there, like when the girl leaves the guy out of anger because he didn’t feel like reporting his finding a corpse to the cops, followed by her going back to him and a brief interrogation of whoever Christopher Lee is supposed to play.
But most of that is just padding for time. Again: I gave the film three just because I enjoyed the dimly lit set and gory makeup effects, but if you’re one of those “story” people who wants a movie to move from point a to point b in a reasonable amount of time with actual bits of intrigue and characters you care about, then you’d best look elsewhere.