Rap Metal Against Racism

limp_bizkit_antifaProbably the stupidest, yet longest lasting argument in the punk rock underground is whether a person can listen to a band in spite what they stand for. I remember getting chastised for professing my love for… ready for this… BAD BRAINS. One would think that being a fan of the Bad Brains, the all black punk band from Washington, D.C., would be the ultimate virtue signal, right?

Nope. As it turns out, the Bad Brains weren’t too fond of homos, and they weren’t quiet about it either. They attacked fellow hardcore bands like the Dicks, the Big Boys and Hüsker Dü for being “bloodclot faggots.” See, the Bad Brains adopted Rastafarian culture, and one thing the Rastafarians, much like the Muslims, can’t stand are “bloodclot faggots.” Now, does that matter to me personally? Of course not. I just like their music; super tight and fast hardcore punk with metal riffs and the occasional reggae jam thrown in. Most of the time I can’t even understand what they’re saying.

But I was yelled at for being one of those guys who “only cares about the music.” I’M NOT KIDDING. I was accused of not being righteous enough, of ONLY caring that I liked the music. You can probably assume that, for some of these people, listening to Skrewdriver is completely out of the question. I’ve talked about Skrewdriver before, but as a refresher, they were a 70s punk band that dressed like skinheads and released a couple of singles and one album of normal, generic, but still pretty catchy punk rock before their singer, Ian Stuart, continued to use the name with a whole new set of backing musicians and reinvented them as a white power band. And musically speaking, they’re okay.

Actually this type of thought policing has become pretty common in punk rock and other underground music genres; among other things, it has lead to bands being thrown off festivals and out of gigs for allegedly having “nefarious” views. “What? Your band was released by THAT label?” “You were seen hanging out with THAT guy?” “I KNOW what those symbols REALLY stand for, bucko! We’re hip to your game!”

Hey look! Here’s Wattie from the Exploited hanging out with what looks like a Nazi skinhead.

wattie_with_nazi_guy

But look at this! Here he is hanging out with a black guy wearing a Motörhead t-shirt!

wattie_with_black_guy

Well, fuck me sideways! Which one is it? Is he a Nazi, or is he not a Nazi? I don’t know, and I won’t ever again be able to listen to the Exploited until this issue is resolved.

Sadly, with such a low bar set on the quality of the music, and such a high bar set on “social justice”, the question I have for Antifas, punk rockers and other underground music weirdos is, “how SHITTY will you let your music get provided that the band shares your views?” Case in point, this brand spanking new video from a band called Stray From the Path. Go ahead, watch the video. I dare ya!

Not sure how far you got into video, but it’s not good. First, there’s the music. After a few bars of pick slides going up and down the guitar neck set to a funky drum beat, the singer, who (perhaps ironically) has a similar haircut to Milo Yiannopoulos and sounds like the singer from Rage Against the Machine, shouts “you just got knocked the fuck out!”; then a generic, overly-compressed, nu-metal riff plays behind his whiny, white boy rapping. Some of the phrases I could make out in the song include “fist held high”, “punishment fits the crime”, “racist President”, “it’s 2017”, “eye for an eye”, “that’s what he said”, “fuck him, and fuck you too”…

…did he just say, “we used to never let these dickheads have any control”? Which “dickheads” is he talking about? Is he implying that, back in the day, his righteous peeps, who don’t look like their older than 25, never let the Nazi skinheads have control of a venue?

Back up the train, negro. Since I was 14 years old, back in the late 90s, I started going to shows at Harpos in Detroit, where I saw Gwar (where my ex Melissa fucked Dave “Oderus Urungus” Brockie!), the Misfits (with Michale Graves, the place was packed!), the Dead Kennedys (with Brandon Cruz, only about 20 people showed up!), Danzig, Clutch, Corrosion of Conformity, Manowar, Motörhead, Cradle of Filth, Rotting Christ, Usurper, Six Feet Under, Murphy’s Law, Cannibal Corpse and even heavy metal’s number one homo ROB MOTHERFUCKING HALFORD. The place was known as a hangout for neo-Nazis, and I’ve even met a few. Someone told me a story where a bunch of Nazi skinheads started fights and pushed people around at G.B.H. and Napalm Death shows since both of those bands are openly anti-racist. At the Danzig gig, I saw a bunch of them doing Hitler salutes. Now, is chunky Milo implying in the video that he and his peeps would have taken a stand against these guys, many of whom are built like linebackers and either fresh out of or on the way to prison? I’m sure that would have worked out REALLY well.

…other choice passages from the song include “preach hate”, “what makes you think that you’re the superior race?!” and of course the very original “NAZI PUNKS FUCK OFF!!!”.

But secondly, and barring the fact that the band members don’t look too different from what many AltRighters look like, the video tells the story in which a guy in a MAGA hat goes into his home, where he has a Hitler poster and a bunch of swastikas on his wall and a TV playing clips of Richard Spencer at one of his “identitarian” conferences, and plan some sort of terrorist attack, only to have his plans foiled by “brave” anti-racist “activists”, who break into his home, mug him at gun point, beat him down, tie him up and tattoo a swastika onto his forehead.

I mean, I can’t even. Andy Nowicki and I disagree over which is the more important problem with the video; that it sets up a ridiculous straw man, saying it’s okay to beat up anybody who you perceive to be a Nazi, which Richard Spencer is most certainly not (they could have at least gotten it right and put Andrew Anglin on the TV) or that the song sucks ding dongs. I say the latter. As of this writing, the “Goodnight Alt-Right” video has received 16,301 dislikes (one of which is mine, thank ya very much!) and 2,960 likes. It’s not totally clear if most viewers of the video don’t agree with the message, just think the song blows or both. If you want a video with a stupid, “anti-Nazi” message that’s set to a good song by a good band, click here! At least the Off! video resembles a grindhouse flick and has Brian Posehn, Dave Foley and David Yow playing Nazis in it.

But the question I have for the Antifas, punks and underground music weirdos is: are you okay with rap metal just as long as they don’t do it just for the nookie?

 

Is the Clash Just Skrewdriver in Disguise?

Being on the right and being into punk rock… but those things can’t POSSIBLY go together? Or so I’ve been told by a handful of people who recently called me a poser, saying I remind them of Ian Rubbish, the singer for a made up band called the Bizzaros (not, of course, to be confused with the Bizarros from Cleveland), that was featured on a Saturday Night Live skit and whose Johnny Rotten-esque singer – played by Fred Armison – praises, rather than denounces, Margaret Thatcher.

Well, yeah, England COULD use another Margaret Thatcher no matter how many songs the Exploited wrote in which they call her a cunt. But, what’s interesting, aside from how people found it hilarious to compare me to this Ian Rubbish character, is that people said I CLEARLY missed the message of punk as espoused by Joe Strummer and Mick Jones, the Lennon/McCartney figures of the Clash (well except that Mick Jones is a guitarist, but that’s besides the point).  THE CLASH?! REALLY?! Clearly YOU, Mr./Mrs. Know-Nothing-About-Punk-Rock, missed the message of punk as espoused by THESE songs:

“Well there goes a girl and a half/she’s got me going up and down” – “Peaches” by the Stranglers

“I don’t really wanna dance/Girl, I just wanna get in your pants” – “I Need Lunch” by the Dead Boys

“You’re wild, and I’m wild about you” – “Wild About You” by the Saints

“I got a new rose, I got it good/I always knew that I always would” – “New Rose” by the Damned

“Gonna smile, I’m gonna laugh/you’re gonna get a blood bath” – “Glad to See You Go” by the Ramones.

“Why don’t you get raped?” – “Get Raped” by Eater (my last ex REALLY liked Eater by the way.)

“You tried it out for once/find it all right for kicks/and now you find out that it’s a habit that sticks/you’re an orgasm addict” – “Orgasm Addict” by the Buzzcocks

So there you have it. Punk rock stands for girls and a half who make you “go up and down”, while wanting to get in a girl’s pants, who you are wild about and who might be your new rose, all while laughing before giving someone a blood bath or telling a girl to get raped; oh, and of course jerking off.

How did you people, who know so much about punk rock, miss THOSE messages?!

But what’s really ironic is that these people, who claim that I missed “what punk’s about” because I don’t follow whatever Marxist/leftist nonsense that the Clash espouses – and which Kathy Schaidle, the adorable punk rocker turned Takimag columnist who told me to check out the Forgotten Rebels, called “gay” on the Savage Hippie podcast – apparently missed what it’s about as well. At least according to the anarchist band Crass, who spits on the Clash, their phony labor-leftist pose and their being signed to CBS-fucking-records for crying out loud.

They said that we were trash,
Well the name is Crass, not Clash.
They can stuff their punk credentials
Cause it’s them that take the cash.
They won’t change nothing with their fashionable talk,
All their RAR (rock against racism) badges and their protest walk,
Thousands of white men standing in a park,
Objecting to racism’s like a candle in the dark.
Black man’s got his problems and his way to deal with it,
So don’t fool yourself you’re helping with your white liberal shit.
If you care to take a closer look at the way things really stand,
You’d see we’re all just niggers to the rulers of this land.

Oo, almost got a Jim Goad vibe going there… err, maybe not…

Of course, I think Crass and the Clash are both retarded.

But THEN, I read the lyrics to the Clash song “Safe European Home”, and I had a “what the fuck is THIS shit?” moment! I’m nearly getting a boner at telling the modern day, Clinton supporting, corporate leftists that their “anti-racist, left-wing” proletariat heroes are pretty much about as racist as Skrewdriver. Don’t believe me? Okay, let’s see…

Well, I just got back an I wish I never leave now
(Where’d ya’ go?)
Who that Martian arrival at the airport, yeah?
(Where’d ya’ go?)
How many local dollars for a local anesthetic?
(Where’d ya’ go?)
The Johnny on the corner wasn’t very sympathetic
(Where’d ya’ go?)

translation: I just arrived in Jamaica, and I REALLY feel like an outsider. None of these guys even want to sell any drugs to me!

I went to the place where every white face
Is an invitation to robbery
An’ sitting here in my safe European home
Don’t wanna go back there again

translation: I’m white, Jamaicans will rob me, this place is scary and I want to leave.

Wasn’t I lucky, wouldn’t it be lovely?
(Where’d ya’ go?)
Send us all cards and have a lay in on Sunday
(Where’d ya’ go?)
I was there for two weeks, so how come I never tell now?
(Where’d ya’ go?)
That natty dread drinks at the Sheraton Hotel, yeah?
(Where’d ya’ go?)

translation: I’ve been here for two weeks, and this place still sucks.

They got the sun and they got the palm trees
(Where’d ya’ go?)
They got the weed and they got the taxis
(Where’d ya’ go?)
Whoa, “The Harder They Come” and the home of ol’ Bluebeat
(Where’d ya’ go?)
I’d stay and be a tourist but I can’t take the gun play
(Where’d ya’?)

translation: I thought I would like this place because of the sun, palm trees, weed, taxis, The Harder They Come and bluebeat, but I’m a white guy who can’t handle all of the crime in this country.

Okay, that’s not as bad as Skrewdriver and their, “they come here to this country from the jungles and the trees”, but it’s still not the leftist, politically correct, “power to the people” crap that people typically associate with the Clash. I mean, the group is blatantly saying, “Jamaica is a shithole, and as a white person,  I probably don’t belong there.” Hey, don’t yell at me! I didn’t write it! I prefer non-racist bands who talk about banging broads and killing people.

Of course, knowing punk fans, they’ll probably rationalize it and say that I’m totally mistaken and misread the lyrics. OR, maybe I can get the leftists at Maximum Rock ‘n’ Roll to denounce the Clash the way they did with the Anti-Nowhere League for THIS song: