How I Became a Trump-Supporting, Alt-Right, Punk Rock Jew

leather_jacket_t_shirtLast weekend, a black woman called me a “honky.”  No, let me clarify; she didn’t directly call ME a honky; she asked if, when I get up to do drunken karaoke at Detroit’s Majestic Theater lounge area (alternately referred to as the Garden Bowl), I was going to sing “some honky music.”  So, naturally I sang “Straight Outta Compton” and said the word “nigga” a bunch of times in front of black people because I’m edgy.

Just kidding, I sang “I Saw Her Standing There” by the Beatles and Ms. “Are You Going to Sing a Honky Song” joined me in a duet after I gave her $5 to get me a whiskey shot mixed with diet coke; I let her handle the part at the end of every line where John Lennon goes “miiiiine.”  This was prior to going next door to see Peter and the Test Tube Babies, a British skinhead punk band from the early 80s.  I invited my newly made black female friend to join me towards the end when they stopped taking money at the door.  I also reminded her how she called this “honky music.”  She giggled and said, “I betcha refer to us as niggers and think we listen to ‘nigger music.'”  Somewhat surprised, I said “Uh, no, I don’t go around referring to black people or anyone as ‘niggers.'” (which is true, although I did call a Muslim “Muzzie” once).  I also didn’t tell her that I’m a Jew – NOT because I’m ashamed to admit that I AM one, since I do that ALL THE TIME – but because I didn’t want to play the whole, “it’s okay to insult the massa ‘white people’, but did you know that I fit into a so called minority group that was ALSO oppressed by ‘white people’?”  I’ll leave that up to Brian, the self-hating, liberal, punk rock Jew.

Nope, I was going to at least make her acknowledge that, in spite what the media tells you, we “honkies” aren’t your enemy and that it’s no more okay to call me a honky, than it would be for me to call you a nigger.

The irony of all this is that, at the same show, my former buddy Nick, the “half gay” “SHARP Skinhead” (If you didn’t feel like clicking on the link, SHARP is an acronym for “skinheads against racial prejudice.”) made it clear that, though he could shoot the shit about the merchandise at the table, we could in NO WAY be associated as friends because I’m officially racist™ and sexist™.

I don’t even USE terms like “racist”, “sexist”, “misogynistic”, “homophobic” or “anti-semitic” anymore, aside from when I’m trying to talk to a liberal in his/her/its language; I’ve never used “Islamophobic”, since it’s a completely fabricated word, which implies that saying negative things about the religion of Allah, no matter how racist, sexist, misogynistic, homophobic or anti-semitic it may be, is a no-no.  But, in Nick’s eyes, I might as well be Nazi Chuck.  That’s right; in the binary world of the SJW – and that’s what you are, Nick, you fag wannabe – my pointing out incontrovertible truths about how blacks commit more violent crimes than any other group, how black on white crime outnumbers white on black crime, how the #blacklivesmatter movement is made up of nothing but leftist agitators who don’t actually care about black lives killed in drive by shootings, how Islam is a violent death cult or how women are not oppressed in Western societies puts me in the same exact class as a card carrying Nazi Skinhead.

So, then, the question is, what brought me to the unapologetic, Caucasian defending, multiculturalism bashing world of the Alternative Right?  In the words of the sound sample at the beginning of the first track on the White Zombie album Astro-Creep 2000, perhaps we’d better start from the beginning…

Growing up in an upper middle class neighborhood is fine and easy, but being bullied for being a nerdy, booger eating, comic book and action figure loving fatso gave me the thickest skin ever.  You couldn’t insult me to save you life; call me a kike, hebe or part of the hooknose cabal, tell me how all Jews should be shoved in an oven or how Jews all run the media and want to enslave the rest of the humanity with debt and you couldn’t get a reaction out of me other than a smirk or a shrug.  In fact the only thing that ever really got a rise out of me was when people made fun of my male pattern baldness; that was until a cute girl fucked me and told me that, for the most part, going bald doesn’t matter.

At 14 I had discovered my “identity” when I heard the Misfits and became a punk rocker or punk rock fan for life (actually I’m more of a music geek who’s into all types of weird shit, but let’s just go with “punk rocker” for the sake of this article).  In addition to delving into the “real” punk bands, such as the Ramones, Sex Pistols, Saints, Stranglers, Stooges, New York Dolls, Dead Kennedys, Dead Boys and Black Flag (oh, I could name thousands of others, but I think you get the point), I was also into the most obnoxious, gross, tasteless and offensive bands I could find.  I loved the bejeezus out of the Meatmen, Gwar, the MentorsGG Allin, the Dwarves and of course Anal Cunt, the only band who, to this day, has never said, “it’s all a joke”, in spite having side splitting song titles such as “I Sent Concentration Camp Footage to America’s Funniest Home Videos”, “Woman: Nature’s Punching Bag” and “The Word Homophobic Is Gay.”

I also didn’t really have a problem with the Black Flag song “White Minority”, which they want to claim is “ironic” (sure…), Minor Threat’s “Guilty of Being White”, the anti-welfare screed “Public Assistance” by Agnostic Front (actually the vocals kinda suck on that song), the pro-Republican ra-ra chant of “California Pipeline” by Murphy’s Law, the blatantly nationalistic “U.S.A. for U.S.A.” by Carnivore, the similarly nationalistic “Bomb the Russians” by Fear or the Type O Negative songs “Der Untermensch”  and “Kill All the White People”, which IS ironic and funny!

As you can imagine, I enjoyed pissing people off.  HOWEVER, there was one, big, stupid, hypocritical catch to this.  Bands can write all the stupid, hateful lyrics they want as long as they’re not REALLY “racist”, “sexist” or “homophobic.”  Of course, in the world of punk rock, the “real” racists were big, linebacker built Nazi Skinheads, and with Detroit’s  racial makeup, you could reasonably expect an equally fierce reaction to the slummy conditions of majority black neighborhoods and increasing black crime; Detroit Nazi Skinhead are NOT posers that are out to shock their friends and families.  Several members of the Detroit based band Angry Aryans either served or are serving prison sentences.  I saw a whole bunch of them doing Nazi salutes at a Danzig gig.  I saw a guy get beaten down for wearing dread locks and white laces in his Doc Martens.  I saw a couple of ugly situations where known anti-racist, pro-antifa bands Napalm Death and G.B.H. played at Harpos and Nazi Skinheads tried to ruin both shows by beating up on audience members.  It was a real mess back then.

Little did I realize back then that, these thug, shitheads were sociopaths at best or just dumb losers with nothing going in their lives at worst.  Many would end up in prison soon enough.  Of course some are completely reformed and I’ve talked to a couple who were flabbergasted to hear a Jew says he’s okay with the 14 part, just not the 88 part.  Just ask Wendy!  She told this one old skinhead guy, “Edwin’s really right wing, and he’s a Jew”, to which baldy said, “isn’t that an oxymoron?”

After going to college, I saw how much the zeitgeist had changed, how thanks to the cultural Marxist takeover of punk rock, the definition of what constituted “sexist”, “racist” and “homophobic” became narrower and narrower.  For instance, in the Dead Kennedys song “Religious Vomit”, Jello Biafra says “All religions make me wanna throw up/all religions make me sick”, yet he has never once protested the most hateful religion of them all, Islam.  In fact the only band from the leftist/anarchist punk world that has had the guts to say anything about Islam is Conflict, who wrote the song “An Option”, in which they suggest not granting sanctuary to immigrants from Muslim countries.  I asked a left wing punk buddy if he found the song to be racist, and unsurprisingly he did.

Hypocritical leftists – “atheists” who only attack meek Christians, feminists who only attack straight, white men, but refuse to acknowledge the real rape culture of the Muslim world, SJWs of all shapes and sizes – might explain why I became more right leaning in my views, but having conservative views is not the same as claiming support for the controversial Alternative Right.

Although Gavin McInnes did a superb job with his “guide to the right for dummies”, I think a more accurate way of looking at the right is like this:

Mainstream Right: Center right channels like Fox news and magazine such as National Review count as this.  To AltRighters, these would be called “cuckservative” outlets.  They extol the virtues of capitalism, strong national defense, free speech and 2nd amendment rights, they question the global warming/climate change narrative, but then take every precaution possible to not be called racist as if getting tagged with the scarlet “R” is worse than being a rapist (to SJWs, it really is), and you’ll never find any real discussion about how to quell illegal immigration.  They can’t stand Donald Trump for the most part – Greg Gutfeld, I’m ashamed of you! – and fire writers and contributors who they think “crossed the line”, such as John Derbyshire.  When pundits at Fox discuss Islamic terror, they won’t actually say the problem IS Islam.

Edgy Right: These would be commentators like Steve Crowder, Lauren Southern, Milo Yiannopoulos, Ben Shapiro, Bill Whittle, websites like Breitbart.com and Rebel Media and radio show hosts like Mike Savage and Mark Levin.  They don’t pull punches in telling you that there is no white privilege, that the Islamic religion is not one of peace, that multiculturalism hasn’t lived up to its promises and they give tacit approval for Donald Trump (except for Ben Shapiro, who seems to enjoy bashing Trump any chance he gets), while also touching on all the other right wing talking points.  People on the left call them “racist” all the time, yet they themselves make absolutely sure that you know they don’t support the “real racists.”  They too get called “cuckservatives” from time to time for reasons among which include not fully admitting that the reason places like Detroit and Baltimore are shitholes is not because of unions, but because black ghettos are fucking violent.

Alternative Right: These would be websites like Takimag, VDARE, AlternativeRight (obviously), Return of Kings and commentators such as Richard Spencer, Jared Taylor, John Derbyshire, Matt Forney, RamZPaul, Bernard Chapin, RockinMrE and Roosh V.  They just say what they want with no thought given whatsoever to who it might offend.  Some identify themselves as race realists, some identify as white nationalists, some identify as just American nationalists and some don’t identify with any group, but are just into “telling it like it is.”  One week I’ll agree with Jim Goad on this article about black reparations, then the following week, I’ll have to take it on the chin and read about how the story of Israel isn’t the rosy picture that Tea Party conservative commentators like Bill Whittle claim it to be.  Or how I’ll agree with a lot of what Roosh V says about feminists and liberals at Return of Kings, only to be delighted with this review of Kevin McDonald’s book The Culture of Critique, which I’m not necessarily opposed to reading.  And the cool thing is, because there is no thoughtcrime, these guys often don’t agree with each other.  One perfect example is how John Derbyshire, who got fired from National Review for writing this article, which, shall we say, doesn’t speak too highly of black people on a whole, believes that Kevin McDonald is a little too obsessed with his dislike of Jews.

Sometimes it’s a relief reading posts from Gavin McInnes, Kathy Shaidle or David Cole; they’re the slightly more “PC” ones at Takimag.  I can read their articles and say, “whew, this one won’t mention how Jews own 61% of the media.”  Vice magazine creator Gavin is the only “crossover” that I know of, often appearing on Greg Gutfeld’s show.  I sometimes joke about attempting to ruin Gutfeld’s career by spilling the beans that Gutfeld associates with the writer of a “hate site.”

Websites like AlternativeRight, Return of Kings, The Right Stuff and The Daily Shoah have already been registered under the SPLC as “hate sites.”  But, what really strikes me about these sites is that they’re not your standard issue white supremacist™, “gas the kikes”, David Duke fodder like stormfront.com.  For instance, I have never read a white nationalist article before that was also pro-Israel.  I never, in my life, thought I’d be listening to something called The Daily Shoah.  But, if I’m going to be 100% honest and set ideology aside, 1. it’s actually a pretty funny title, 2. the people who talk on it are intelligent and knowledgeable and 3. they took the retarded “Are You a Nazi Quiz” from the AddictingInfo.com, where it erroneously compares conservative views with Nazi ones to imply that conservatives are no different than the followers of the Third Reich, and they completely skewer it.  I was on the floor laughing.  I believe I referred to me and my fellow Jews as the “hooknose cabal” for an entire week.  One of the guys at The Daily Shoah even said, “if I HAD to choose between kikes and sand niggers, I’d choose the kikes.”  Thanks, bro, that means a lot!

The bottom line is that the Alternative Right takes the narrative away from the left.  It takes the notion of the ad hominem attack that the left is so good at using, locks it in a closet and tortures it to death as it screams for its safe space.

 

 

Super Hot Anti-Feminist Launches #theTriggering

lauren-southern-the-triggering-defend-free-speech

Gorgeous – and yes, it’s absolutely essential to bring attention to how a woman looks before she expresses her opinion about something – Libertarian Commentator and anti-feminist activist Lauren Southern has launched a hilarious and hilariously juvenile movement designed to attack Social Justice Warrior crybabies, who have taken an unprecedented level of control of the dialogue in this and other Western countries.  The movement, set to launch on March 9th and 10th is called #theTriggering, and the concept, from my understanding is pretty simple: to be as offensive as possible in order to drive crybaby SJW’s off the internet or just totally insane as sort of a way to tell them that it’s time for them to stop policing every word that comes out of a person’s mouth, especially if that person happens to be white, straight and male.

And the concept is as beautiful as Lauren Southern’s smile.  Not everyone feels exactly like everyone else – the fact remains kiddies that there are people who don’t like blacks, people who don’t like gays, people who feel the white race is the best race, people who don’t like Muslims and prefer they’d leave that evil death cult before becoming a U.S. citizen, people who don’t like Jews, people who want to see every illegal immigrant kicked out of the U.S., people who want to see our borders shut completely, people who feel women should be in the kitchen making sandwiches and, if we live in a truly democratic society, we acknowledge that, as unpleasant as some views may be, we can’t simply shut people up who have them.

Unfortunately, the only thing SJWs want to do is shut people up.  How DARE you not agree with every single thing they think?  Don’t you realize that blacks were slaves 150 years ago and the residue of that slavery can be felt any time a white person so much as questions the effectiveness of affirmative action?  Don’t you realize women couldn’t vote until 1920 and that, any time you question why women overwhelmingly vote for bigger government, you might as well go back in time and sabotage the suffragette movement?  Don’t you realize that, if you have a view that is not in complete concert with theirs, you’re a sexist, racist, homophobe and, now I guess Islamophobe even though Muslims are about as sexist, racist and homophobic as they get, but we give ’em the pass because… WHY?!

I’m not here to discuss Islam; I do plenty of Muslim bashing in other articles, so I’ll stick to SJWs.  If feminist harpies or BlackLivesMatter activists were just derelicts that yelled at you on the street and people just ignored them, then that would be one thing.  However that is not the case.  The fact of the matter is that these people have turned Universities into a joke; they have forced professors to resign; they think it’s acceptable to take down pictures of historical figures because those figures held beliefs that were common then, but would be considered hateful now.  And the establishment is balking!  In no other time in history would two feminist activists be invited to the U.N. to discuss how to censor any criticism of their bogus attack on the video game industry.  Yet, it happened!

But, there’s a catch to all of this.  There is no safety net or safe space for your beliefs.  In other words, when someone points out that Jews control 61% of the Hollywood studio system and try to drive a narrative, such as with what looks like the absolutely retarded (And yes, I’m judging it even though I haven’t seen it nor plan on it) new movie Race, about 1936 Olympic runner Jackie Owens as some sort of struggle on his part against the prejudice of the Nazis, you have to, at very least, not take it as a personal affront.

free_speech.jpg

PC is the work of the devil… no, not the devil, because then it would make it something kinda cool… it’s actually the work of cultural Marxist engineers, who, after realizing that their Marxist, egalitarian society didn’t work in industrialized countries, where people could buy cool shit, had to invent the notion that there was an oppressor and an oppressed, while completely ignoring the history of the rest of the world.  Then, the government could come in and “equalize” everything, whether it be with affirmative action quotas or forcing the military to lower its standards to allow the weaker gender to participate, all while influencing the media to blame the shortcomings of the so called oppressed groups on straight, white men.

So, here we are in 2016 on the verge of complete social and cultural collapse.  In 1967 American Nazi Party leader George Lincoln Rockwell spoke at UCLA.  Can you fathom that happening in 2016?  To have a David Duke or Tom Metzger speak at a university?  I’m not saying these are people whose views I agree with or espouse; I’m saying, in a truly free society, you let them have a chance to voice their opinions and allow people to decide if they agree with them or not.

Some may argue that we “shitlords” are nothing but overweight, annoying losers who are home on a Friday night, chomping down Dorritoes and wouldn’t be bothering with this nonsense if we had a woman as hot as Lauren Southern to take out.  On one hand, they have a point; pissing people off is a whole heck of a lot of fun, like when I teased the fuck out of these feminists who got all angry about the band Black Pussy last May.  But, there really is a point to this.  Well, for one, I’m not overweight and two, it’s not a Friday night; it’s a Wednesday night and that Jew fag Josh hasn’t contacted me to go to the local sports bar, where we can ogle the girls that have the big booties and wear the black tights.

But, there’s an even bigger point to this: whether your economic views are right, left or center, your social views should always be towards allowing an open dialogue no matter how offensive or “triggering” that dialogue may be.  Political correctness is not just a roadblock for comedians to have fun at the expense of the less fortunate; it’s quite literally the death knell of the ability to discuss actual problems with any sense of honesty, to address the elephant in the room, to tell your fat female friend that the reason men pump and dump her is not because of the color of her hair or the way she laughs, but because she is fat.

 

 

Maybe Women Just Aren’t That Into Metal

nita_strauss

Nope, not thinking about how she looks at all!  Totally just admiring the playing of Alice Cooper’s guitarist, Ms. Nita Strauss!

What do comic books, science fiction, roll playing games, anime, video games and heavy metal all have in common?  Think really hard about it.  So, where most intelligent people, I would think accept the fact that men will outnumber women in all of these nerd intensive hobbies by default, there will still be that Social Justice parasite, that interloper that exists for the sole purpose of ruining the fun and joy that these things bring by accusing their practitioners of not being inclusive enough.

I stumbled upon this article titled “Metal’s Problem with Women Is Not Going Away Anytime Soon“, written by a Kristy Loye for the Houston Press.  With her obviously lazy research and her almost entirely complete lack of knowledge or insight, she levies some strong accusations against the metal genre and the people who listen to it.

In the article she concludes that:

Many bands either openly encourage violence against women or fail to support legitimate female fandom, but it certainly doesn’t end there. Female metal bands are rarely booked on national tours and practically ignored by the media — and worse, the ones who make it that far get ridiculed or sexualized.

In other words, as of November 11, 2015, according to the article, metal has their proverbial Jodi Fosters up against the pinball machines.  Now, how much does the article reflect reality?  Before one even gets to the actual article, there is a picture of a band called Halestrom, who feature three faggy looking guys with nice, swooping hair cuts and a hot broad with fantastic legs, wearing those hot patterned tights that do wonders for my libido.  Beneath the picture, the caption reads: “Question: how many metal bands featuring female members — besides Halestorm, shown above — can you name?”

Let’s see.  I can name Girlschool, Rock Goddess, Bitch, Bolt Thrower, White Zombie, Blood Ceremony, Kylesa, Electric Wizard, Acid King, Arch Enemy, Huntress, Demonic Christ, Triptykon, Nashville Pussy, Jucifer, Madam X, Lita Ford and, if we want to plumb the depths of shittyness, we can even dredge up nu-metal bands like Kittie and Otep just to prove this point.  But, what point are we trying to prove?  That metal music doesn’t have enough women participating in its creation?  That this in and of itself is some sort of indication that the metal genre, as a whole, is deliberately trying to keep women out?

She then continues with this “observation”:

Even metal fandom is exclusive. Women who are metal fans come under the constant scrutiny of male metal fans, and have their motives questioned. They’re either assumed to be a poser or a girlfriend, no more than a fan by association. Often they must prove their fandom to suspicious men who require authenticity. Ridiculous.

Is that how it is?  Because, this very weekend, I was at the mighty Detroit metal/hardcore/noise/whatever festival called Berserker fest, which a.) was run by Child Bite singer Shawn Knight and his wife Veronica, b.) had plenty of women at the gig, c.) had no instances that I recall where men accused women of not being “legit” and d.) involved me partying and drinking with two metal loving women, my friend Wendy and the mighty Dawnowar, former fan club operator for Manowar.  And if there’s one band a person can claim to be blatantly sexist, it’s them.  According to Dawnowar, her experience working with Manowar might have involved quite a bit of assholishness on the part of embarrassingly not-self aware bassist/spokesman Joey Demaio, but sexism and sexual harassment were not part of her experience.  And we’re talking about the band who wrote this song:

But, assuming that is the case, where women are scrutinized more heavily to see if they’re truly part of the club or not, that’s par for the course.  Metal – and we’re talking the more extreme side of metal, not mainstream hard rock bands like Def Leppard or Motley Crue – is an outsider form of music.  Outsider music, art and hobbies always attract more men than women.  Studies show this.  In fact, you’re more likely to find women who listen to extreme metal than who like the confusing, often messy sounding jazz-fusion noodlings of Frank Zappa or Captain Beefheart.  Sure, you will find women who are into these things, but, if we’re going by the law of large numbers, it’s not as likely.

Then of course the author brings up the obligatory “objectification” argument:

For many years, metal’s message to women has been one of assignment: you can be a groupie, but not a fan or serious musician. It has failed to support women in any capacity besides as live props — objects, not subjects. It’s also guilty of encouraging a Hooters-like, bikini-model, stripper-girl atmosphere in general.

Maybe that attitude was more prevalent among glam metal musicians, so she’s not even really attacking her intended target, since anyone can attest that none of what she described happens at thrash, death, doom or black metal concerts (I wish it did, though!), but, if they did, there’s two things to say about this. 1.) When women decide to strip onstage or expose their breasts while perched atop their boyfriends’ shoulders in the audience, that is their decision; the band doesn’t make them do this.  In fact, a member of the Scorpions said that it is only in North America where this occurs.  On top of that, the groupie phenomenon is another example of the genetic differences between men and women.  Women who become groupies want to be groupies.  Popularity makes a man more desirable; or as Paul Stanley of Kiss once said, “we can do in one evening what several men spend weeks or months trying to accomplish.”  But, 2.) that “objectification” alone never prevented women from participating in music.  Lemmy, the biggest hornball of them all, still backed all girl band Girlschool simply because he liked them.  While, there aren’t many women in hard rock and heavy metal dating back to the 70s, except for maybe Heart, there has been considerably more involvement since then, and I still put the onus of becoming a musician and being in a band strictly on the women.

She continues with more tripe about female bands not headlining festivals and male fans not cheering for women.  Again, while the former is true; not many women headline metal festivals, it’s not out of some alleged discrimination; there just aren’t that many female musicians in metal and no festival promoter is going to top bill a band just to fill an affirmative action quota.  As for the second case, get over it; men cheer for bands they like regardless of the genitalia of the members.  If the members are attractive, then it’s a bonus.

And then comes the argument of the lyrics, which allegedly promote rape and violence towards women.  She makes some reasonable observations, siting some pretty damn violent lyrics by Cannibal Corpse.  But, does the band harbor an anti-woman agenda?  Are they trying to get their fans to rape and murder women?  Hardly.  I saw Cannibal Corpse once and singer George “Corpsegrinder” Fisher said onstage, “this one’s for all the ladies, it’s called ‘FUCKED… WITH… A… KNIFE!!!'”  Did the male audience members start fucking all of the women with knives?  No.  Did women feel that the male audience members would go and fuck them with knives in the parking lot?  No.  Has “Fucked with a Knife” by Cannibal Corpse led to a rise in husbands fucking all of their wives with knives?  No.  I maintain, that if you’re offended by what you hear, then don’t listen.

But, because the author of the article isn’t even good at cherry picking her “evidence” of a prevailing anti-female lyrical trend – I can find a few more examples of anti-female attitudes from metal bands, like the above Manowar song or just instances of violence towards women, such as in the rape themed, “Sex, Murder, Art” by Slayer – she sites the profanity free, PG-13 lyrics of Alice Cooper?!

The problem is nobody is taking offense to these violent lyrical themes. And if they are, they’re not speaking up about it. Alice Cooper was once quoted as saying, “There’s more blood in Macbeth than in my shows, and that’s required school reading.”

Yet there’s a stark contrast between the macabre theatrics of Cooper’s guillotine and lyrics that detail physically ripping open a woman through forced sexual contact and watching her die as a result. And even if Macbeth was bloody, it was a statement on the will to power and the attraction to corruption…and did Alice Cooper just compare himself to Shakespeare?

This last part about “forced sexual contact” is a lie.  The woman was dead for crying out loud!  And, on top of that, the theatrical piece was set to “Cold Ethyl”, a song about fucking a corpse.  So, if anything, her beef should be that Alice is promoting necrophilia!  But, on top of that, she has to throw in some slick, snarky condescension.  Alice indeed compared his show to Shakespeare, which was the popular entertainment of the Elizabethan era, and also featured some tasteless humor.  Alice has also been praised by Bob Dylan as an underrated songwriter, so you can take your “intellectual” credentials and shove ’em up yer arse!

Ah, but there’s hope after all!

Believe it or not, some bands do self-correct. Some men will stand up for women and understand that women can be equal partners in artistic expression, even in death metal. We love those men.

Speaking to Andy Marsh, guitarist for Thy Art Is Murder, he makes no attempts at backpedaling or defending the lyrical content of his band’s 2008 release, Infinite Death, which contains lyrics like, “I’m inflicting bloodshed upon bitches/ just because I hate the female race…women were born to be fucked.” In fact, he agrees they were abhorrent, and his level of discomfort with the band’s previous sexism was apparent.

Abhorrent?  How about just retarded?  But, feel free to “self-correct.”  Your lyrics will emancipate all of the women from this awful patriarchal society, in which women have their clits cut and are forced to wear burqas.

Even Whitechapel, due at Houston’s Scout Bar next Monday, has followed suit. The band responsible for such lyrics as “I ripped her fucking limb from limb,” from 2006 LP Somatic Defilement (“Vicer Exciser”), has now turned away from misogynistic lyrical content. It wasn’t easy move for a band named after the area of London where Jack the Ripper murdered at least five women, but the band felt it was a necessary move. (Right on.)

Right on!  Don’t ever sing about anything unless someone with a vagina approves of it.  You will be re-educated to think like them and they will arbitrate the correct things to sing about.

Metal is not alone in its ostracism of women — its close cousin, punk rock, was completely revamped 20 years ago. Back in the ’90s, female punk fans and musicians are credited for riding the third wave of feminism and forming their very own subgenre, Riot Grrrl, with bands like Bikini Kill, Bratmobile and L7, a spirit that even surfaced in Russia a generation later with the rise of Pussy Riot. When those women wanted opportunities in the punk scene that didn’t already exist, they simply created them. Yet even that scene wasn’t created in a vacuum.

This paragraph is a complete lie and further exemplifies the ignorance of the author.  Punk rock NEVER ostracized women and, since the mid ’70s, had more women involved than metal on both of sides of the Atlantic; Siouxsie and the Banshees, X-Ray Spex, the Adverts, the Rezillos, the Slits, Vice Squad, Penetration, the Runaways, Blondie, Patti Smith, X, the Germs, the Avengers and the Bags are just a few examples; those don’t even count New York noise rockers like Sonic Youth, Pussy Galore or Boss Hog.  Hell, if she wants to find the roots of all this turbo-slut, sex-positive feminist nonsense, she would do well to look up Lydia Lunch, the adorable looking, yet repulsively acting singer for Teenage Jesus and the Jerks.  The fact that the author makes such an audacious claim, yet doesn’t even know some of the bands I mentioned, makes me wonder if she even listens to music or if she’s just trying to ruin things with her Social Justice agenda.

And, in the final section of the piece, she mentions… ugh, War on Women.

It’s not just women who need to fight misogyny in music. War On Women’s Shawna Potter encourages men to take up the battle as well.

“While women [with people of color and the LGBQT community] must fight for our rights and humanity, men must also fight,” she says. “They must [fight] against the insulting notion that they are animals have no self-control. But first, they must see it as insulting, I suppose.

So that’s the name of the hot singer for War on Women, whose gyrations made me tight in the pants.

 

 

 

Why Are Annoying Feminist Bands Not Allowed to Have Tomatoes Thrown at Them?

WaronWomen1CarlPocket

When I see the singer for the Baltimore based, feminist punk band War on Women (good fucking god), I don’t think about “smashing the patriarchy”, I think about smashing between the sheets.  Aside from those stupid, “tough grrrl” faces she makes, she’s got a good figure and made the smart choice of not doing her hair up in a punky style, letting it go all flowing and wavy. One would think a feminist punk band called War on Women would be some sort of parody, but this proselytizing, subtle as a sledge hammer nonsense is the real deal.  Watch this.

God, look at the leggings on that slut on the left.  And look at that all male rhythm section passionately bashing out a generic 4/4 pattern over which these sexy, young lasses can yell out their female rage.

Now, look, I’m all for the XX’s picking up the geetarz and bashing and smashing away just like the dudes do – I’m a fan of Girlschool, White Zombie, X-Ray Spex, the Slits, the Fall, Sonic Youth (even though their lyrics are retarded), the Adverts and the Rezillos, bands I listen to because of their music and not because of the genitalia of one or all of their members – but, once again, as the underground scene becomes more and more indoctrinated in Cultural Marxist, politically correct nonsense, the more we’re going to see bands like this who are “smashing” an imaginary patriarchy, when, in actuality, they’ve got Beta male orbiters just pining for their attention and white knights ready to protect them from “unwanted advances” at the drop of a hat.  In a scene that’s still dominated by men, being a woman, especially one that look like the ones pictured above, gives you unprecedented levels of control over the dicks of the men involved.

All that would be fine if they were just bloody honest about it!  Instead we get bogus articles such as this one from Bitchfork about the alleged “misogyny” in noise rock, singling out the band Rectal Hygienics, who I actually saw last night at Berserker Fest in Detroit.  I tend not to take an article seriously when it includes a line like this one:

As a person living in a genderfucked body that was assigned female identity at birth and has been mostly read as female by society since, Rectal Hygenics’ lyrics are exhausting and painful in a very visceral way.

Poor baby being born a WOMAN in a Western country where you don’t have to worry about having your clitoris cut, being forced to wear a burqa or becoming the victim of an honor killing.  She makes passing references to “Prayer to God” by Shellac and “No Pussy Blues” by Grinderman and acts as if respective singers Steve Albini and Nick Cave are doing something other than singing about praying to God that someone will kill his lying, cheating whore wife and her lover and the blues because he ain’t gettin’ no pussy. She then goes on to quote the “offending” lyrics of Rectal Hygienics:

“Spoiled fuck machine/ Think you’re on easy street/ You’re a slave to man and what he puts inside of you/ Stinking pack mule/ You smell like shit,”

Now these lyrics aren’t in the best of taste and I don’t know if they’re supposed to be for shock value or have a message or, in fact, even be understood at all because, when I saw them last night, I didn’t even hear lyrics; in fact, the singer wasn’t even facing the audience.  All I heard for 30 minutes was “vrrrrroooossshhh” and “pound, pound, pound.”  She does get one thing right though; they do seem like a blatant rip-off of tasteless Swedish noise rock gods, Brainbombs, who stole all of their lyrics from sick and tasteless “transgressive” shock writer Peter Sotos.  But that’s all besides the point.  Why shouldn’t “misogynistic” lyrics be allowed?  If she really stands by the mantra of “freedom of speech is not freedom from criticism”, then why is she trying to be the arbiter of what messages are “acceptable” in any genre of music?  Besides, what could she possibly have to complain about when she’s got a mangina band like Pissed Jeans emasculating themselves in the song “Male Gaze“?

it’s when a smile becomes a stare and it starts to burn
it’s when you ask him to knock it off and he doesn’t learn
the sad routine doesn’t change if he’s broke or a millionaire
there’s no getting through, that’s how it is
he’s never had to care
it’s when you’re judged before you even get to speak a word
it’s when you make the smartest point and it goes unheard
i’m not innocent – i’m guilty
i’m not innocent – but i’m sorry
it’s just the male gaze – it’s in me i know it
i feel it all around me – i wish i could destroy it
yeah it’s the male gaze – i’ve had it forever

Whoopdy-fuckin’-do!  Men look at women when they’re attractive!  Thanks for putting down your hammer on 100,000 years of evolutionary biology, ding bat!  On the other hand, Pissed Jeans is a solid AmRep revival band and I enjoyed seeing ’em live.  There was this super cute red head with glasses at the show in Detroit, but I was too much of a chicken to talk to her even though we shared a moment, making eye-contact, air guitaring and drumming in sync.  Chances are she probably would have accused me of trying to rape her if I talked to her, though.

But, at the end of the day, there is no “war on women.”  If you’re young and attractive and live in a Western country, the world is your oyster; if you don’t make stupid decisions, there is literally nothing easier than being a woman in Western society.  As Iggy Pop pointed out in “You’re Pretty Face Is Going to Hell”, you won’t be young and attractive forever, so, instead of complaining about how it’s a burden on your existence, why don’t you celebrate your privilege and sing about cool stuff like death and Satan?

She asks, “Are we supposed to sit back an [sic] appreciate this as ‘art’ for ‘art’s sake’?”  You’re not supposed to do anything.  In the words of Alice Cooper, “you are the only censor. If you don’t like what I’m saying, you can turn me off.”

And, for the guys, grow a pair and throw on Blood, Guts & Pussy by the Dwarves!

15 Sexuality Terms That Will Make You Know More Made Up Sexuality Terms

husband-and-wife1

Expressing one’s sexuality has become a complicated affair.  A long time ago, what was an oppressive, patriarchal world, full of strict labels that forced people to confine themselves to “normal” sexual acts in which a man’s only option would be to stick his genitalia into only a limited number of orifices – sadly all human – and a woman was expected to only allow acceptable items to be inserted into her vaginal cavity, has, thanks to sexual liberation been opened up (no pun intended) into a world of whole new possibilities.

But, before we go on, let me apologize for my crass and insensitive labeling of “man” and “woman.”  These no longer exist.  What I meant to say was “humans who were assigned male or female genitalia and a male or female societal role against their will.”

Now, one may say, “do we need labels at all?”  After all, if a person of undisclosed genitalia and gender identity wants to go fuck a horse, then this person with undisclosed genitalia and gender identity should be allowed to fuck a horse!  That is this person’s right and, as long as it doesn’t harm another (and even if it does), we have no right to judge.

However, we use labels for all sorts of reasons so I’m not sure why some people get bent out of shape about the neologisms for sexuality.  So for myself and for those of you who don’t understand or even know about the rapidly changing “word world” of sexuality, here’s a primer on the subject, using something that is a little easier to understand: a list with definitions.

1.) Bedpansexual – This type of person gets really turned on by bedpans, whether it’s jerking off into bedpans, bathing in bedpans or pouring the contents of bedpans all over one’s head.

2.) Craniosexual – Back, in our less enlightened days, we called this skullfucking.  But, somewhere down the line, “skullfucking” became an ugly and discriminatory term, almost as if it were deviant behavior.  Nowadays, if you notice a heteronormative couple and the one who looks like the holder of the female genitalia is wearing an eye patch, you can giggle to yourself and say, “I know what those crazy cats were up to last night!”

3.) Breadsexual – Someone who gets turned on by the prospect of cooking a warm loaf of bread and fucking it.  Okay, let’s face it; we’ve ALL been breadsexuals at one point.

4.) Bionosexual – Few would consider RoboCop or the Terminator to be sex symbols, but few people have heard of the sexual attraction to beings who are part organic and part bionic.  In real life, unfortunately, the result of this attraction has been quite disastrous, as one might expect from being jerked off by a mechanical claw, but I’d be prejudiced against bionosexuals if I attempted to dissuade them from this lifestyle.  I hope they’re at least using some form of lubrication.

5.) Autopsosexual – DO NOT confuse autopsexuals for necrophiliacs. This is a pure act of prejudice, but don’t worry.  You weren’t aware.  Autoposexuals only get turned on by corpses which are being cut open, taking the sentiment “I wanna feel you from the inside” quite literally.

6.) Allosexual – A person who experiences sexual stimulation from sticking one’s head into the mouth of an alligator.  Unfortunately the majority of the people who get turned on this way are eaten before they can achieve full sexual fulfillment.

7.) Pierced-stomachsexual – Person who experiences sexual attraction from seeing someone having his or her stomach filled with liquid, having his or urinary tract blocked off and have his or her stomach pierced with a sword, like what happened in Caligula.

8.) Decaposexual – Person who gets wildly turned on from watching another person get decapitated; it’s probably safe to assume this person would have been aroused during the filming of John Landis’ segment of Twilight Zone the Movie.

9.) Assbladesexual – Person who experience sexual attraction from seeing a knife stuck into another person’s anus.

10.) Assbleedsexual – Although this one can overlap with assbladesexual, this is a person who enjoys the sight of another person bleeding from the anus; the reason for the bleeding doesn’t make a difference.

11.) Immobilesexual – Person who is turned on by another person’s lack of mobility.  Of course this could be divided into a myriad of sub-categories, from someone who is attracted to paraplegics and quadriplegics to a person who gets turned on by watching those commercials in which old people fall and can’t get up.

12.) Spergosexual – Person attracted to anyone on the autism spectrum, but especially those who can keep a thoroughly detailed one-sided conversation going for four hours without stop.

13.) Flagosexual – Person who is incredibly aroused by self-flagellation; whether it’s the classic self-whipping along the back, running head first into a wall or constant self criticism, any will do as long as the person constantly feels guilty for something and is punishing himself for it.

14.) Peptosexual – Person who enjoys watching another person get heartburn.  This is the type of person that gets sexually aroused at another person’s torment caused by the ingestion of spicy food or hoppy beverage.  One does not know if he or she is on a date with a peptosexual until the person notices the other person’s discomfort, at which point sexual arousal occurs.

15.) Cystnormative – Person who gets aroused by watching someone having a boil drained.