I was interviewed for over an hour for Matt Forney’s show This AltRight Life over at RightOn.net. We talked about our time hanging outside the RNC, including being chased around by SJW zombies and attending Milo’s fab cocktail party, my Punks for Trump t-shirts and the leftist hijacking of punk rawk. Hopefully you’ll find listening to it as enjoyable as I found doing it.
I know: I’m a masochist. If people on the left, mainly SJWs, are r-selected, rather than K-selected, they really can’t help themselves, and it’s pretty useless arguing with them. But, I try, only to have it shoved back in my face with ad hominem attacks – the biggest, stupidest, most glaring one, of course, is that I’m at the ‘rents house, even though I’ve lived on my own numerous times in the past – and completely irrelevant facts.
My favorite is the one where people say, “yeah, let’s not let in the mud people because they’re trying to take away the land we stole from the Indians.” Pretty clever, huh? This person’s logic holds that, even if the “mud people” (his words, not mine) ARE invading, we sorta deserve to be conquered because of what the white man did to the Indians in the past. Well, sorry homie, but my parents came to the United States in 1974. Oh, WAIT, they’re immigrants, therefore we need to let in ALL immigrants. Oh WAIT, my dad was an engineer and my mom was a chemist, and neither of them went on welfare or worked under the table. And they came here legally.
The conversation I’m going to talk about began with Donald Trump and the Syrian rapefugees, and of course degenerated into name calling. Lord knows I tried to be civil, but this guy, being an SJW, in order to maintain his views, NEEDED to have me be a right wing caricature in order to maintain his narrative. He needs me to be a David Duke-esque virgin, who jerks off to anime and lives at home, in order to have moral high ground, because otherwise, his arguments are just too weak. I created most of this from memory, but I SWEAR it’s as accurate as can be without being too self-aggrandizing.
Me: We shouldn’t let Syrian rapefugees into the country. Look at what happened to Europe. It became the rape capital of the Western world after they lett Muslim immigrants in. I don’t want that happening here.
Him: Well, ya know, Christianity is just as bad because of the Crusades. Okay, I know you, as the reader are thinking, “no way, he’s not that stupid”, but I SWEAR this was actually something he pointed out before smugly saying, “why don’t you read a book.”
Me: You’re a retard (yeah, I called him a retard) for pointing out something that happened more than 700 years ago to justify essentially trying to kill off the West by letting Muslims invade it. Also you’re inviting rape culture into the country.
Him: Those claims of rape in European countries are completely unsubstantiated – in other words, since they were committed by those saintly brown people, white women deserved it, or are probably lying because “racism” – and 1 in 4 women on college campuses are raped every year. We have the rape culture.
Me: Is it 1 in 4? Didn’t they change it to 1 in 5 and then 1 in 7? Don’t they keep changing the definition of rape so it seems higher because they’re on witch hunt? Either way, I told a girl at a bar that she has a nice ass. This is true because she did and she had black hair and tattoos, and looked punky/hipstery, so she was probably a feminist and doesn’t realize how much that compliment will mean to her in 30 years.
Him: Of course you would, you probably have never even touched a girl outside of your mom (now, it’s personal).
Me: Don’t worry about me, man. I get plenty of pussy.
Him: Huh, people who talk about it don’t get it. (really clever one, isn’t he?)
Me: Oh, actually I’m seeing someone right now, and we went to the Soaring Eagle casino for a weekend of gambling, fucking and pot smoking.
Him: Woa, so rebellious, don’t tell your mom! (why wouldn’t I tell her about that? It was Amanda’s mom who set the whole thing up.)
Me: I just can’t win with you, can I?
Him: No, you’re a basement dwelling, t-shirt making (referring to my wicked cool Punks for Trump shirts) fascist.
I’m actually starting to like this song; not for the lyrics of course.
No matter how many times I’m told to go back to Israel (even though I’m not from there), called a kike, hebie or Jew boy or simply told that I’m not to be trusted by the so called “pure ones” of the Alternative Right, I can’t help but think they’re doing nothing more than peddling the mentality of the early 90s, Norwegian black metal scene. If you’re not familiar with that, bands like Mayhem, Burzum and Darkthrone were extremely exclusive about who was allowed to participate in their so-called music scene, alternately known as the “black metal inner circle.” They made their records almost unlistenable to the normal ear by recording everything in as low fidelity manner as possible, and they sang in some of the harshest, screechiest vocals a person can muster before his voice is shot.
And that’s just what these bands sound like. While one could posit that, like many a fine rock ‘n’ roll band, most black metal bands were out for shock value, then one would have to contend with the fact that Varg Vikernes (a.k.a. Count Grishnackh) was involved with several church burnings and stabbed former Mayhem guitarist, Euronymous, to death, leading to his being sentenced to 21 years in prison; he was released after 15. Faust, the drummer for Emperor, was sentenced to fourteen years in prison for stabbing a homosexual to death; claims vary as to whether it was indeed because he was a homosexual or whether Faust just wanted to kill somebody.
When several other churches started going up in flames, and the graffiti related to the crimes read “hail Satan”, Varg was the first person to slap his forehead in annoyance and proclaim, “ugh, they don’t get it.” After all, Varg and all of these other Norwegian black metal musicians weren’t Satanists; they were Odinists, and Varg later became a neo-Nazi. It didn’t matter that churches were going up in flames, the very thing that Varg and the other black metal musicians wanted; it mattered that they were going up in flames for the wrong reason.
Furthermore, around the mid-90s, one could open up numerous metal magazines, such as Pit or Slayer and find interviews with bands who were angry that bands such as Cradle of Filth and Dimmu Borgir were taking on the black metal mantle. How dare they call themselves black metal?! They use keyboards! They have slightly above shitty production! They sing about vampires! Girls go to their shows! Their t-shirts and records are in mall record shops! I thought Metallica fans were retarded for the vehement hatred they bestowed up on the band when they released their infamous alterna-grunge-rock record Load, but this was just plain ridiculous!
Of course black metal isn’t the only genre upon which the cries of sellout were a common thing; grindcore fans acted no better when they yelled at Napalm Death for going from the grindcore of From Enslavement to Obliteration to the more technical and slightly better produced death metal of Harmony Corruption.
But that’s beside the point. The point is that the Alternative Right essentially wants a Westernized and white ethnostate. They complain that Israel is allowed to have an ethnostate, or heck that Japan wouldn’t be too pleased if you started importing a bunch of whites into their country and demographically changing it, yet European populations are being displaced by non-Western foreigners who don’t share their values. Coincidentally their more “race conscious” views align to a point with non-race conscious Americans that simply don’t want to see the United States turn into a third world country on account of lax immigration policies; ones that have fundamentally changed the demographics of several European countries like Sweden and made them considerably less safe. For instance, thanks to the influx of immigrants from Muslim countries, Sweden is now the rape capital of the world.
As a result, Donald Trump and his pro-wall building and anti-Muslim rhetoric struck a chord with the Alternative Right. I agree with building a wall or, at very least, making immigration policies stricter. I want to preserve the United States’ way of life and not let it become a balkanized third world country. This means, in effect, that I have interests which align with people on the Alternative Right. But, there’s just one problem…
I’M A FUCKING JEW!!!
I don’t hide that I’m a Jew because that would be even sneakier, wouldn’t it? Maybe some of my brethren started Cultural Marxism, but how am I responsible for that? Milo Yiannopoulos’ and Allum Bokhari’s now legendary (on the right-o-sphere anyway) Breitbart piece functioned in the same way that Kerrang or Metal Hammer metal mags initially reported on black metal. Regardless of what they said about the Alternative Right – and from the article, it seems only positive – this was not good enough. Nope, in their estimation, the notion that some press is better than no press is superseded by the fact that Milo is a fag, who gets black dicks up the ass, even though he never once said this in the article and doesn’t try to foist this onto the AltRight.
What the peeps on the AltRight, at websites such as Counter Currents and The Right Stuff, don’t get it is that, once your ideas are out there, anybody can do anything with them. The original black metal bands, in spite claiming that they only wanted “their own kind” (another parallel with the more “Aryan” members of the AltRight), still had their stuff released on labels like Century Media and Peaceville; meaning that, people who weren’t of the “purest stock” would listen to them and like them.
This is the same thing that’s happening with the Alternative Right. Websites like Davis Aurini’s Stares at the World or Roosh V’s Return of Kings are not White Nationalist sites. The former is a Dark Enlightenment site and the latter is a Neomasculine site. But they share many of the same values with people on the Alternative Right. According to a few AltRight people, Roosh can’t be Alternative Right because Roosh is a kabob. It seems like many people from the AltRight are nothing more than former Stormfront readers; Now, for fucking hell’s sake, do you really, HONESTLY want a “Jew-in-my-sandwich” kook like David Duke associating with the Alternative Right? That man claims that race realist Jew Eugene Girin, in spite being pro-white, cannot be on the side of whites because of the Talmud. The fucking Talmud. I was asked by a former neo-Nazi skinhead once if I hate whites because the Talmud says you’re supposed to treat Goys like animals. I’VE NEVER READ THE MOTHERFUCKING TALMUD… and I don’t know a single Jew who has.
Thankfully not everyone is like that; RamZPaul appears to be welcoming of Jews as long as those Jews are not anti-white. Andy Nowicki doesn’t hate Jews; he doesn’t love them either, but nobody’s asking him to. And me? I love white culture. You hear that? I. Love. White. Culture. Wanna see how much I love white culture? That’s me at the renaissance fair celebrating white, European culture. Of course the P.C. magnates (I know, you’re going to say they’re all Jews) won’t let you call it a White European festival. Well, perhaps they should? And again, RamZPaul made the point clear; just because he’s promoting white culture, doesn’t mean he’s denigrating black, Asian or Hispanic culture. So what’s the big deal?
Bottom line is, if you heard the way my parents talked at the dinner table, you would be hard pressed to believe you were listening to the conversation of a Jewish family, a liberal family, that is. They’re against affirmative action, and they’re for closing the border. They don’t really condone too much miscegenation. They feel it’s fine for white Europeans to be proud of their ethnic heritage. They feel that, if you want to live among your own people, that is perfectly fine. They have Alternative Right beliefs.
Personally, I’m not as obsessed with race, but I still feel that The Bell Curve holds truisms. I also have friends who are black, Asian and Hispanic, and I’m not tossing them out of my life any time soon. If I pointed out to them that it’s not fair for them to get to express pride in their cultures, but for whites to not be allowed to express pride in theirs, they would agree. But, you know what’s really striking? I’m doing the job of the AltRight for them. While Takimag commentors TruthSayer and RacistMcShootface may yell at me and tell me to go back to Israel (where I’m not even from), I’m selling the AltRight to people in a normal way that doesn’t make it seem threatening. To those guys, I’m just another Jew diluting their message, but to me and many who agree, I’m telling white people that they don’t have to feel guilty of being white.
And the most I can get for my efforts is for a certain Greg Paulson to call me an “ally of color”? Do I honestly look like anything “of color”? Do I look more Jewish than Andrew “Weev” Auernheimer, a self-professed neo-Nazi?
To the people like Jared Taylor, Andy Nowicki and RamZPaul, who accept people as long as they share their values, rock on! To the people at Counter Currents, Trad Youth and The Right Stuff who only see me as an “ally of color”, you’re a bunch of faggot LARPers. And to the Stormfront transplants, who think that Donald Trump’s election and his pushing of the Overton window to the right, will eventually result in my deportation, keep dreaming. You’re not deporting me, and you’re not deporting Roosh.
And, if you really don’t want me to go to your country clubs or to have a drink with you after an American Renaissance conference, remember this goes both ways.
RamZPaul is not a racist. There is nothing wrong with non-Jew honkies expressing pride in their culture. They do it when they hold Renaissance Fairs and October Fests, and allow anyone to participate in these. RamZPaul is simply saying that the United States should close its border and, while Jews should be happy to be Jews, they should not obsess so much over Israel any more than RamZPaul obsesses over Scotland. This message should not be controversial.
Le Happy Merchant’s wife:
Eli Roth’s fourth film, The Green Inferno (following Cabin Fever, Hostel and Hostel: Part 2) is an homage to classic (well, classic to some) Italian cannibal films such as Man from Deep River, Jungle Holocaust, Eaten Alive, Mountain of the Cannibal God, Emmanuelle and the Last Cannibals, Cannibal Ferox and, especially Cannibal Holocaust; yes I’ve seen them all. In the case of the last one, the title for Roth’s film was inspired directly by it, which I will get to momentarily. In addition to being an homage, Roth’s film is also a satire, albeit a fairly mean spirited one, of leftist, liberal and progressive college activists.
For those unaware the cannibal film sub-genre was spawned in Italy in the early 1970s and exhausted itself out in the early 80s. The crowning achievement of the genre is the aforementioned Cannibal Holocaust, whose one distinguishing feature from other cannibal films is that it is a precursor to The Blair Witch Project and other “found footage” horror films. In fact the documentary being watched within Cannibal Holocaust is called The Green Inferno and follows a team of documentary filmmakers into the jungles of the amazon. The team proceed to torture the natives, who, in turn torture them back. All of this is caught on camera and, when shown to the TV crew and, of course the audience, the question is raised: “who are the real cannibals?” Of course, in Roth’s film, the answer is simple; “The cannibals are the cannibals.” This has liberals PISSED.
Regerro Deodato’s film along with the other cannibal films is full of violence of every imaginable sort that could not be shown in your average R rated horror film – from the standard decapitations and amputations to more extreme fare like castrations, rape and real animal killing.
It’s 2015 and Roth’s film has no animal killing, but it has plenty of gore. It also includes what might be the final frontier of horror film depravity; female genital mutilation. To be fair America hater Lars Von Trier included this in his film Antichrist from 2009, but Roth is the first to put in a straight ahead horror film.
The basic plot of the movie is that Justine (played by Roth’s super hot wife and Chilean model Lorenzo Izzo) decides to join a group of activists after witnessing a lecture on female genital mutilation in her world studies class and getting manipulated by the sleazy leftist activist Alejandro (Ariel Levy). Their activist trip involves going into a Peruvian jungle and using cell phones and social media to shame land contractors, who employed the help of a gun toting militia, out of bulldozing land of an indigenous Peruvian tribe. When Justine gets a gun pointed at her head and activist leader Alejandro is ready to sacrifice her for his cause, she starts to get wind of the lengths leftists will go to get their point across.
However, the shaming attempt allegedly works and, after their so called victory – which is revealed to just be a p.r. stunt – the activists crash land into the Peruvian jungle and are tortured and eaten alive by the very people they allegedly came to protect.
Enter liberal outrage.
Roth immediately establishes his disdain for leftist college activist types in the film’s opening scene when the main character is woken up to hunger strikers protesting to increase the wages of janitors. The sentiment is continued further when Kira (singer Sky Ferriera), best friend of Justine exclaims, “activism is so fucking gay”, while also throwing in some remarks about the white Jewish elitist guilt to the horrified stare of a passerby. She turns, pulls out her Star of David pendant and says, “Uh, I can say that!” I laughed wholeheartedly at that. Is Eli Roth really taking a swipe at liberal Jews? I can only hope!
In fact, I’ll go so far as to draw a direct parallel with the Israeli/Palestinian conflict; young, naive activists support the Boycott, Divestment and Sanctions movement, thinking they’re helping the “poor Palestinians” in spite the fact that Israel was always just protecting itself against rockets fired by a group of people who they’ve conceded land to in every war they’ve won. Naive activists fail to realize that the people they allegedly want to protect are governed by the savages known as Hamas, who couldn’t care less about their cause and are known for stringing gay people on ropes and killing women when they think they’ve committed adultery. Let us not forget that they use women and children as shields just to make Israel look bad in case they retaliate against rocket fire.
I can only speculate if Roth had any message in mind beyond making fun of social justice warriors. However, it would be nice if the same guy who played the Bear Jew in Quinten Tarantino’s otherwise preposterous Inglorious Basterds, beating the brains out of Nazi soldier with a baseball bat, might have a cautionary, pro-West message in mind. Maybe he was thinking of naive journalists who go to Muslim countries only to be kidnapped and beheaded. Whatever parallel can be drawn, it’s clear the movie doesn’t seem to have a pro-multicultural message. Hell, the protagonist is saved by the very “imperialist” militia she had gone to protest against.
Anyway, back in the jungle the natives are portrayed as primitive savages and waste no time in cooking up and eating the fattest member of their crew, Jonah (Aaron Burns) (did Eli Roth name this character Jonah because he’s fat?) People who hate the film’s message will try and say that the film lacks suspense, pacing, atmosphere, and likeable characters. They’re just looking for excuses to hate it. The Peruvian jungle locale looks gorgeous and we immediately sympathize with Justine the second she finds out that she was a pawn in the “activist” Alejandro’s twisted plot.
On top of that the movie has lots of excitement and gore; branch going through someone’s face, head getting chopped off by a propeller, live body flaying, someone being eaten alive by ants, freshly skinned heads on poles and a throat being slit. The mood is lightened slightly with some juvenile humor in the form of some explosive diarrhea and a “Scooby Doo” style escape plot involving putting marijuana in the cannibals’ food.
When leftists actually admit that the movie is good, as in suspenseful and well made, they complain about how it’s xenophobic and that attacks on social justice warriors are shallow at best. But that’s the point! Social justice warriors ARE shallow, taking on socio-political causes with almost no knowledge of the history behind any of them.
Some critics feel the film’s conclusion makes no sense; that Justine, the only survivor, goes on to lie about her experience with the cannibals to her father, a member of the U.N. I don’t feel this is the case at all. I feel this is exactly what people on the left do; make excuses, rationalize or flat out lie about how certain cultures just aren’t compatible with Western values. Eli Roth isn’t afraid to point this out.