Let’s Just Call Them “Mtv.” Losers Instead Of Using The H. Word


Special guest post by Jessie Nagy

I was basically pressured into this stupid “Mtv.” thing, whatever you wish to call it, because I was subsidizing for less due to a desperate desire for social connections. I didn’t want to be a part of it. I like music, but I don’t believe in orienting a lifestyle around that sort of thing, & I  don’t believe in wasting money on alcohol, etc., just to lower my settings to speak to people of lesser intelligence. When I try to articulate this, it’s met with some sarcastic reply of “yea, cuz it’s like a gateway drug, right”. People value the stupidest things – an immature, toddler-like inability to put the “Beetle’s track” on pause. They’re much too addicted to lamer forms of entertainment, so they don’t even know how to experiment properly. This culture offers basically nothing healthy for intelligent males. I have my own standards & my own goals, but the culture prioritizes this other unproductive thing, which then causes the projection that I’m “suffering” from failing to be like them. The only thing I’m suffering from is that I have to sometimes deal with them & their influence & that I have wasted some time with it. So then they think it’s “shy”. No, it’s internalized conclusions. That’s how this stupid “Mtv.” culture is; they have delusions of being important & competent just because it’s comfortable to believe that by making their renditions of poses, & then when they’re given the reality, they deflect with “I feel sorry for you”. Regardless of whether you’re pro m.g.t.o.w., anti, neutral towards, or, like me, agree with some & don’t agree with some, the blogger Barbarossa stated it perfectly in his: ‘Survivalist Rhetoric: The Alpha Male Primitive.’ It’s such an important recording that I’m actually thinking about making a typed version of it, maybe.
I also value materialism. In my case: books are regarded as essential tools. They’re more important than utilities for a car. In fact, I’ve even economized my life to prioritize book obsession at the expense of a normal life. However, the semantics I refer to is a different problem.

Water & a female’s mind are similar – inconstant. Although females know what is right, they still have bad directions. Females’ nature is unsteady. Even if they see what they should be, they become what they shouldn’t be. Of many cases, to try to integrally capture the mind of a female, one has to adopt their impulse, & that is what has happened on the macro – adoption of feminine traits & inconsistency. Females lack integrity, largely contributing to the culture of facades. I’ve typed this before: what has resulted is a barely noticeable freak act of female emulation, so done by male performance to instinctively adapt to feminine herds, which causes its choice of amplifications, & we mistake it for an authentic masculinity.

So after I realized the “Mtv.” lifestyle for what it really is – nothing more than another rendition of “sports fans”, etc., making their feuds, propping their egos based on nothing important, & then also maintaining a limited understanding of reality based on casual observations, these losers thought that I “sold out”/quit their little groups due to an apparent – what they assumed – “inferiority complex” because that’s what happens if you’re a male not easily amused & persuaded & have the capability of being more discerning, an aspect of control, the real kind, not the fake kind that females have created of oblivious confidence.

These kids & young adults get distracted, cultivating an image from an average of ~5 weeks to ~5 months for a large portion of their lives, not even aware what’s really happening because those males have not yet learned how to weed on their own terms & hone in to get what they want from an average of ~5 minutes, ~5 hours, to ~5 days. We’ve been pretending for most of our lives. For most of us, it was a pretense we could not even recognize. We were told lies, & in turn, we perpetuated lies because those lies were what we knew.

Consider this scenario: A singer of a musical band may not be the organizer, or particularly intelligent, but, because he is the loudest & most shaky, this implies to the uncritical aesthetes that he is somehow a “leader” or the most “competent”. This is partly why I despise art & artists, even if that example might be isolated, not the technical artist who will contribute towards anatomy or engineering illustrations, but just the common artists. I’m using the word art broadly to define the various facades that females want & have set as the ultimate thing to strive for. Aesthetics leads to becoming alogical & amoral. I know males are generally much more visual creatures than females, so there’s nothing wrong with males claiming their own desires for objectification since masculine utilization helped organize civilization, but I’m referring to a problem of what is falsely called “emotional intelligence”/”social intelligence” – a burden to the advancement of real intelligence.

As Esthir Vilar said: “& so the world will go on, sinking deeper & deeper into this morass of kitsch, barbarism, & inanity called femininity.” – from ‘The Manipulated Man’, pg.: 155, [Pinter & Martin edt.] by Esthir Vilar. Great book, especially as applicable for the appropriate communication level. She had less concern with fanaticism of language – no technicalities, just quick, no vagueness, just straight truth.

The postmodern attitude is that “there is no truth, or that we can’t find it anyway.” It’s to not be concerned with facts, basically. If you want to argue that realism is “vague” – that it’s not worth it, too theoretical, & too challenging, then you undermine your argumentation because it stops you from verifying. You might as well not even argue. It’s “mysterious” because they just can’t understand it, & then they also think that one is just trying hard to seem mysterious.

When I first did a book review of the following a long time ago (completely different edited note than this one), the replies to it were how “painful”, etc., it read & sounded – completely missing the point. The reason that is is because most of what females say isn’t even real, so they think, with their mass supporters, that “truth = what sounds stylish”. It’s an inability to judge beyond tone & execution due to their means of immediate, casual, aesthetic observations – no abstractions. “Logic is delicate, sensitive, tender, sad, & maudlin”, etc.. No. it’s logical. It’s non-emotional & reduced of acting. A female pick up artist, like Kezia Noble, marketing it will tell you: “It’s not what you do or say, it’s how you say or do it,” so we have females as p(r)etty usurpers of masculinity because females have not learned to respect the totality of masculinity & masculine enterprises. When they’re not starting petty politics & drama, they’re being satiated by it in their literature & soap operas, & then go back to starting it because they haven’t received their proper order; “This guy did this weird thing with his facial expression for 3 seconds so I’m going to make a whole soap opera about it for the entire day because I need to fill that void for not having accomplished to the ratio of masculinity.” 3 seconds of “awkwardness” is inflated as 1 minute of it. They can’t be slightly bored or uncomfortable for barely 1 minute before moving to something else, & this is how females have been abusing rationalism & logic. If they start crying after you stopped the performance, don’t feel sorry. I know it’s tempting because males have that decency, but part of the reason we’ve gotten such problems is because females don’t have shame. By spending large sums of money for them, you’ve also established their control.

Here’s just an excerpt, which I have reduced to the only essentials because I’m trying to make this particular note as quickly to the point as it should be, of that one good point PAINFULLY delivered. It’s not supposed to be “stimulating”. It’s supposed to be informative, objective.:

Today postmodernism is all the rage. Around the 1960s, we entered an era characterized by a new style of life, art, & identity. While the modern world was shaped by the industrial revolution & productivity, the postmodern era is shaped by the information revolution – entertainment, the ethic of meaningless consumption, fast-changing styles, &, with that, a lack of commitment to any solid perspectives. “Postmodernism is completely indifferent to the questions of consistency & continuity. It splices genres, attitudes, styles. It relishes the blurring of juxtaposition of forms (fiction-non), stances (straight-ironic), moods (violent-comic), cultural levels (high-low) to no actual meaning. It neither embraces nor criticizes, but beholds the world blankly, with knowingness that dissolves & with a commitment to irony. It takes pleasure in the play of surfaces, & that is mostly what is known, & derides the search for depth as “sensitive”, or something stupid.
Postmodern man is no longer trying to discipline a willpower. He has discarded a quest for a single identity. His stance is ironic. How convenient. Postmodern man is the concupiscent consumer. Whole lives just formed by fashion. He changes shape at will. Lives revolving around taste, not right-or-wrong; aesthetic rather than moral. Kierkegaard called him Don Juan earlier – a fucking pointless “gypsy loser with a fucking banjo”. He avoids consistency by keeping himself satiated with a thousand facades. Don’t think “straights” are excempt. That’s just another version with only a difference of surface. Consumerism is a catharsis.
With the emergence of postmodern man, we have a point of reasoning being reduced. Taste replaces what should be done.

Don’t buy the book – really bad book. It’s a “castrated” attempt of trying to be a little bit insightful with only one good definition on postmodernity found within the entire book, literally only 1 page of quality. Just confirm the source by google search. Just search Sam Keen On Postmodern Man.

Sources: “Fire In The Belly’ by Sam Keen, pgs. 110 & 111.

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